Ajouter une intrigue dans votre langueA Black champion boxer and his white female companion struggle to survive while the white boxing establishment looks for ways to knock him down.A Black champion boxer and his white female companion struggle to survive while the white boxing establishment looks for ways to knock him down.A Black champion boxer and his white female companion struggle to survive while the white boxing establishment looks for ways to knock him down.
- Nommé pour 2 oscars
- 2 victoires et 8 nominations au total
Histoire
Le saviez-vous
- AnecdotesRedd Foxx, who knew former heavyweight champ Jack Johnson, whose career and struggle against racism inspired the original play, turned down a role in the film as he believed it was not a true picture of his old friend.
- GaffesIn the first scene in which we see Jefferson practicing, the sweat on his shirt changes from shot to shot in a way that wouldn't be predicted by evaporation.
- Citations
Reporter: Now you're the first Black man in the history of the ring who's ever had a crack at the heavyweight title. Now white folks, of course, are behind Brady. He's the redeemer of the race and so on. But you, Jack Jefferson, are you the Black hope?
Jack Jefferson: Well, I'm Black and I'm hopin'.
Goldie: Answer him straight, Jack.
Jack Jefferson: Hey, look, man, I ain't fighting for no race, I ain't redeeming nobody. My mama told me *Mr. Lincoln* done that. Ain't that why you shot him?
- Générique farfeluThe 20th Century Fox logo appears without the fanfare.
- ConnexionsEdited into The Loving Story (2011)
- Bandes originalesLet Me Hold You In My Arms Tonight
Written and Performed by Jesse Fuller
Still, I regret that he hasn't left us a greater body of work on film that is worthy of his talent. Much of his best work has been performed on stage. (For instance, right now he's performing with Cicely Tyson on Broadway in a hit revival of *The Gin Game* -- go see it if you can!)
But in films? After *The Great White Hope*, you'd think Jones would have been deluged with offers for Oscar-caliber roles in Oscar-caliber films; instead, we saw him (performing admirably) in a series of mediocre films and a short-lived TV series. Like many actors, he was probably glad to be working at all -- a gig's a gig, as they say. But he deserved better. No wonder he seems to prefer the theater.
So I treasure *The Great White Hope*, not only because it's a great, great movie,but also because it is the single shining gem in the film career of a great actor -- who deserved more recognition from Hollywood than he got.
(And to be fair to this magnificent film, I must also acknowledge the other actors, all superb.)
- paullester
- 23 nov. 2015
- Lien permanent
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Détails
Box-office
- Budget
- 8 000 000 $ US (estimation)
- Durée1 heure 43 minutes
- Couleur
- Rapport de forme
- 2.39 : 1