Gishiki
- 1971
- 2h 3m
Après avoir reçu un télégramme choquant de son cousin, un homme raconte son enfance au sein d'une grande famille pleine de secrets obscurs qui se dévoilent lentement à travers les cérémonies... Tout lireAprès avoir reçu un télégramme choquant de son cousin, un homme raconte son enfance au sein d'une grande famille pleine de secrets obscurs qui se dévoilent lentement à travers les cérémonies du clan.Après avoir reçu un télégramme choquant de son cousin, un homme raconte son enfance au sein d'une grande famille pleine de secrets obscurs qui se dévoilent lentement à travers les cérémonies du clan.
- Prix
- 7 victoires et 1 nomination au total
Histoire
Le saviez-vous
- AnecdotesGishiki (1971) (Japanese: Gishiki) is a Japanese drama film starring Kenzô Kawarasaki and Atsuko Kaku, directed and co-written by Nagisa Ôshima. The film takes place in post-war Japan, following a family clan through their wedding and funeral ceremonies, and the lengths the elder generation goes to preserve their traditions in spite of the damage it causes to the younger.
- Citations
Sakurada Kazuomi, Grandfather: People keep saying the Russian soldiers are demons, but were they really that fearsome?
Sakurada Shizu: What?
Sakurada Kazuomi, Grandfather: You aren't too bright, are you? I'm asking if they used you as a prostitute.
Sakurada Shizu: That happened to some women.
Sakurada Kazuomi, Grandfather: I'm asking about you. What about the Manchurians and Koreans?
Sakurada Shizu: Had that happened, I wouldn't have returned alive!
- ConnexionsFeatured in The Man Who Left His Soul on Film (1984)
Ôshima's direction is both meticulous and daring, using the family ceremonies as a metaphor for the societal structures that confine and suffocate its members. The pacing is deliberate, with long, drawn-out scenes that mirror the suffocating nature of the family's secrets. The film's cinematography is stark and calculated, using a minimalist aesthetic that highlights the emotional and psychological intensity of the narrative. The use of silence and quiet moments adds to the tension, allowing the viewer to feel the weight of the unspoken words and hidden truths.
Kenzô Kawarasaki, Atsuko Kaku, and Atsuo Nakamura deliver compelling performances that capture the complex dynamics of the family. The film's central character is torn between loyalty to his family and the realization that their traditions are built on lies and repression. His journey is one of self-discovery, as he comes to terms with the unsettling truths about his past and the cost of maintaining family unity.
The Ceremony is a film that demands careful attention, as its layered narrative and dense symbolism require deep engagement. The slow, almost ritualistic pacing of the film allows for a gradual buildup of tension, culminating in a haunting exploration of the destructive power of family secrets and the rituals that bind individuals to their past.
With its sharp critique of tradition, psychological complexity, and powerful performances, The Ceremony stands as one of Ôshima's most remarkable works. It's a deeply affecting film that resonates long after it ends, leaving viewers to reflect on the nature of family, identity, and the weight of the past.
Rating: 10/10. A masterful exploration of family, tradition, and psychological complexity, with haunting performances and a profound narrative.
- Giuseppe_Silecchia
- 7 janv. 2025
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- How long is The Ceremony?Propulsé par Alexa