Wanda, une femme au foyer solitaire, erre dans une région minière jusqu'à ce qu'elle rencontre un voleur à la petite semaine qui la prend sous son aile.Wanda, une femme au foyer solitaire, erre dans une région minière jusqu'à ce qu'elle rencontre un voleur à la petite semaine qui la prend sous son aile.Wanda, une femme au foyer solitaire, erre dans une région minière jusqu'à ce qu'elle rencontre un voleur à la petite semaine qui la prend sous son aile.
- Prix
- 2 victoires au total
Histoire
Le saviez-vous
- AnecdotesWanda (1970) was shot with a crew of only four people.
- GaffesToutes les informations contiennent des divulgâcheurs
- Citations
Norman Dennis: If you don't want anything you won't have anything, and if you don't have anything, you're as good as dead.
- Autres versionsPROLOGUE TO 2010 RESTORATION: "Wanda has been preserved from the original 16mm color reversal a/b rolls, the original 16mm optical tract, and an original 35mm release print. Digital restoration has been conducted on selected sequences to repair damage to the source elements. In keeping with the film's low budget, certain production artifacts have been left intact." "The 35mm preservation elements restore Wanda's original sound mix and shooting aspect ratio. Restoration completed 2010."
- ConnexionsEdited into Histoire(s) du cinéma: Fatale beauté (1994)
Commentaire en vedette
There is a scene, near the beginning, that shows our main character from a distance walking through mounds of coal to get to her father to ask him for some money. The shot stays on her for what seems like several minutes. The camera simply and slowly pans forwarded as she progresses. Some may say this is boring, others the work of a amateur that doesn't know when to cut. Yet this is a very brilliant shot that shows the true essence of what this film is about and the plight of our character. In life she is constantly walking. Unable to fully grasp the true dissolution of her existence she continues to search for something, anything. She is the victim of life's cruel riddle. A riddle that has no answer.
This is a very sad movie, probably one of the saddest movies you will ever see. It is sad because Wanda's condition is not unique and probably makes up more of the working poor than we care to think. It helps clarify the desperation that people in these circumstances both live and feel. It also helps explain why they will get into such stupid situations and at times make such dumb and illogical choices.
Here drifter Wanda meets up with a two bit crook named Mr Davis. The two create a very odd relationship and actually prove beneficial to each other. She brings out his long dormant tenderness, while he, in one truly touching moment, actually gives her some confidence. Of course it doesn't last, but it is an inspiring piece nonetheless. It shows that even the most pathetic of people, in the most bleakest of situations, can still transcend themselves.
This is actually quite a powerful film. It's very stark, grimy, almost home movie look is actually an asset. No stylized interpretations here. The dingy bars, restaurants, homes, hotels, and factories are all very, very real. You start to feel as trapped in their grayness as the characters. This is a far more billiant and manipulative film than one might initially believe.
This is a very sad movie, probably one of the saddest movies you will ever see. It is sad because Wanda's condition is not unique and probably makes up more of the working poor than we care to think. It helps clarify the desperation that people in these circumstances both live and feel. It also helps explain why they will get into such stupid situations and at times make such dumb and illogical choices.
Here drifter Wanda meets up with a two bit crook named Mr Davis. The two create a very odd relationship and actually prove beneficial to each other. She brings out his long dormant tenderness, while he, in one truly touching moment, actually gives her some confidence. Of course it doesn't last, but it is an inspiring piece nonetheless. It shows that even the most pathetic of people, in the most bleakest of situations, can still transcend themselves.
This is actually quite a powerful film. It's very stark, grimy, almost home movie look is actually an asset. No stylized interpretations here. The dingy bars, restaurants, homes, hotels, and factories are all very, very real. You start to feel as trapped in their grayness as the characters. This is a far more billiant and manipulative film than one might initially believe.
- rwint
- 29 mars 2003
- Lien permanent
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Détails
Box-office
- Budget
- 115 000 $ US (estimation)
- Brut – États-Unis et Canada
- 51 713 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 10 679 $ US
- 22 juill. 2018
- Brut – à l'échelle mondiale
- 108 692 $ US
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