Un fou à une main (il a perdu la main en échappant à une pendaison) utilise divers dispositifs détachables comme armes du crime pour se venger de ceux qu'il pense lui avoir fait du tort.Un fou à une main (il a perdu la main en échappant à une pendaison) utilise divers dispositifs détachables comme armes du crime pour se venger de ceux qu'il pense lui avoir fait du tort.Un fou à une main (il a perdu la main en échappant à une pendaison) utilise divers dispositifs détachables comme armes du crime pour se venger de ceux qu'il pense lui avoir fait du tort.
- Senor Pepe De Reyes
- (as Tun Tun)
- Tour Group Member
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesAccording to an article in the 9/28/66 edition of "Variety", this film was the second-most profitable film in release at the time.
- GaffesAt the police department, on the door to room 112 it states it is the Exhibits Room, but in the hall outside, room 112 is indicated as the District Attorney's office.
- Citations
Anthony Draco: Can you describe him?
Marie Champlain: He's... he's tall and uh... he's dark and um... uh... soft-spoken. He moves very quietly. What's wrong me? He's the easiest man in the world to identify. His right hand is missing.
- Générique farfeluBefore the studio emblem or opening credits, the following message is narrated as well as seen on screen: "Ladies and gentlemen, the motion picture you are about to see contains seen so terrifying the public must be given grave warning. Therefore, the management has instituted visual and audible warning at the beginning of each of the Four Supreme Fright Points."
" The Fear Flasher is the visual warning."
" The Horror Horn is the audible warning."
" Turn away when you see the FEAR FLASHER!"
"Close your eyes when you hear the HORROR HORN!"
- Autres versionsProduced as a TV series pilot, this film was determined to be too violent for the small screen and given theatrical distribution instead. Added for this release was an exploitation device called the "Fear Flasher/Horror Horn", ostensibly to warn the audience of the "Four Supreme Fright Points" (although it was not applied to the picture's most explicitly violent moment, the climactic fate of the villain). This device was explained in an introductory sequence narrated by William Conrad. Upon first showing on US network television, both the device and its explanation were deleted, but in subsequent syndication to local stations in the 1970s and '80s, some such prints were seen.
- ConnexionsFeatured in Deadly Earnest's Spooky Colour Marathon (1975)
- Bandes originalesAn der schönen, blauen Donau, Op. 314 (On the Beautiful Blue Danube)
(uncredited)
Music by Johann Strauss
Played at the party
Less can be said of others in the cast--including Marie Windsor who is mainly wasted in a supporting role, Suzy Parker whose role has no depth at all and Patrice Wymore.
Laura Devon is a stunning blond beauty and makes the most of her decorative assignment as the woman who sets up the men targeted for gruesome killings. The wax museum itself is an intriguing setting but the script is not up to the standards of the Vincent Price film with a somewhat similar storyline. Wilfrid Hyde-White and Cesare Danova are effective enough as the men who want to trap the killer.
Recommended mainly for its excellent use of Victorian atmosphere and crisp, clear Technicolor.
- Doylenf
- 6 nov. 2012
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Die Schreckenskammer
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 20 minutes
- Mixage
- Rapport de forme
- 1.85 : 1