ÉVALUATION IMDb
7,9/10
11 k
MA NOTE
Ajouter une intrigue dans votre langueA businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.
- Prix
- 2 victoires au total
Robert Dunham
- Foreign man in Bar
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesDirector Hiroshi Teshigahara said that he intended the film to explore both personal and cultural identities. While the examination of personal identity is quite overt, Teshigahara also explored how Japan's cultural identity had been impacted by World War II and its aftermath.
- Citations
Psychiatrist: You're not the only lonely man. Being free always involves being lonely. Just there is a mask you can peel off and another you can not.
- ConnexionsReferenced in Bara no sôretsu (1969)
Commentaire en vedette
Mr. Okuyama is involved in an accident at work which melts off his face and this understandably is constantly nagging him. This makes a mark on the relationship with his wife as he talks out at her about how miserable he is and what a monster he has become. He then talks his psychiatrist into making him a new face (which was quite easily done since the psychiatrist has had these kind of thoughts before) and he then goes on 'vacation'.
This is so excellent in every way. It is not a sci-fi movie, but in feel it sometimes comes close to. The images are quite surreal at times, the music is out of this world and some of the sets are not to be found in real life.
The editing is masterfully done, switching between main story and a parallel story about a girl with a similar problem, as well as switching between hand-held camera (not too shaky though), still pictures and still standing camera. The pictures of Segawa Hiroshi fits 35mm nicely, sometimes manipulating the background like I haven't seen before for example when the psychiatrist and Mr. Okayama is talking at the club and the crowd behind get 'invisible' by lighting.
Kyou Machiko did a terrific job in Ozu's 'Ukigusa' and likewise here. Too bad we don't see that much of her. Nakudai Tatsuya plays well as the mask. I don't know exactly what was special effects and not, but it was hard to tell.
Author and writer of screenplay Abe Koubou, director Teshigahara Hiroshi and Takemitsu Touru was behind another favourite of mine; 'Suna no Onna'. They also made 'Moetsukita Chizu' and I cant wait to get my hands on it!!
This is so excellent in every way. It is not a sci-fi movie, but in feel it sometimes comes close to. The images are quite surreal at times, the music is out of this world and some of the sets are not to be found in real life.
The editing is masterfully done, switching between main story and a parallel story about a girl with a similar problem, as well as switching between hand-held camera (not too shaky though), still pictures and still standing camera. The pictures of Segawa Hiroshi fits 35mm nicely, sometimes manipulating the background like I haven't seen before for example when the psychiatrist and Mr. Okayama is talking at the club and the crowd behind get 'invisible' by lighting.
Kyou Machiko did a terrific job in Ozu's 'Ukigusa' and likewise here. Too bad we don't see that much of her. Nakudai Tatsuya plays well as the mask. I don't know exactly what was special effects and not, but it was hard to tell.
Author and writer of screenplay Abe Koubou, director Teshigahara Hiroshi and Takemitsu Touru was behind another favourite of mine; 'Suna no Onna'. They also made 'Moetsukita Chizu' and I cant wait to get my hands on it!!
- Atavisten
- 4 avr. 2005
- Lien permanent
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Détails
Box-office
- Brut – à l'échelle mondiale
- 35 185 $ US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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