ÉVALUATION IMDb
8,1/10
1,8 k
MA NOTE
Ajouter une intrigue dans votre langueIt explores the aftermath of The Battle of Borodino.It explores the aftermath of The Battle of Borodino.It explores the aftermath of The Battle of Borodino.
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Sergei Yermilov
- Petya Rostov
- (as S. Yermilov)
Mikhail Khrabrov
- Platon Karatayev
- (as M. Khrabrov)
Jean-Claude Balard
- Rambal
- (as Jean-Claude Ballard)
Georgiy Millyar
- Morel
- (as Yu. Millar)
Boris Molchanov
- Davout
- (as B. Molchanov)
Histoire
Le saviez-vous
- Autres versionsThere are three different versions: The American release, a 360 minute film in two parts (dubbed in English) (see also War and Peace (1968/I)). The Russian release, a series of four films totaling 403 minutes (see also Vojna i mir I: Andrei Bolkonsky (1965), Vojna i mir II: Natasha Rostova (1966) and Vojna i mir III: 1812 god (1967). Most reviews (including Leonard Maltin's) list this film's running time as 507 minutes, suggesting an unreleased Director's Cut.
- ConnexionsEdited into Voyna i mir (1965)
Commentaire en vedette
War and Peace Part IV, Pierre Bezukhov, might as well be called the "Fire and Ice Edition" given the prominence of the depiction of the great Fire of Moscow as well as some great (but unfortunately brief) shots of "General Winter." Like Part III, the spectacle is grand and sweeping: According to The Criterion Collection, the fire scene had to be planned for 10 months and shot with helicopters and six ground-level cameras. If no one got killed making that scene, that's an achievement.
Aside from the sheer elaborateness of the production, director Sergei Bondarchuk once again justifies this with artistic vision: Even the shots of Napoleon looking over his conquered Moscow (pre-fire) are impressive and inspiring. The shot of Napoleon riding out of Russia are dynamic but moody and convey that sense of despair and defeat. The end cinematography of the Russian landscape is great, though it's a direct callback from Part I. Andrei's dream sequences are also artistically masterful.
Part IV is short by itself while covering a lot, but it still wraps things up a satisfying note. It captures that homecoming feeling after a war; Pierre seeing the grown Natasha (with flashbacks to their memories of each other), has that "V-J Day in Times Square" kissing sailor image written all over it. The full seven-hour experience can leave any viewer feeling exhausted but mightily impressed.
Aside from the sheer elaborateness of the production, director Sergei Bondarchuk once again justifies this with artistic vision: Even the shots of Napoleon looking over his conquered Moscow (pre-fire) are impressive and inspiring. The shot of Napoleon riding out of Russia are dynamic but moody and convey that sense of despair and defeat. The end cinematography of the Russian landscape is great, though it's a direct callback from Part I. Andrei's dream sequences are also artistically masterful.
Part IV is short by itself while covering a lot, but it still wraps things up a satisfying note. It captures that homecoming feeling after a war; Pierre seeing the grown Natasha (with flashbacks to their memories of each other), has that "V-J Day in Times Square" kissing sailor image written all over it. The full seven-hour experience can leave any viewer feeling exhausted but mightily impressed.
- gizmomogwai
- 3 juill. 2019
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- War and Peace, Part IV: Pierre Bezukhov
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.20 : 1
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By what name was Voyna i mir IV: Pierre Bezukhov (1967) officially released in Canada in English?
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