Une institutrice dévouée passe ses nuits dans les bars, à la recherche d'hommes violents avec lesquels elle aura des relations sexuelles de plus en plus brutales.Une institutrice dévouée passe ses nuits dans les bars, à la recherche d'hommes violents avec lesquels elle aura des relations sexuelles de plus en plus brutales.Une institutrice dévouée passe ses nuits dans les bars, à la recherche d'hommes violents avec lesquels elle aura des relations sexuelles de plus en plus brutales.
- Nommé pour 2 oscars
- 1 victoire et 6 nominations au total
Histoire
Le saviez-vous
- AnecdotesTom Berenger admitted in an interview that he had nightmares after he was finished shooting all of his scenes as Gary.
- GaffesTheresa is supposed to be a first-grade teacher, but all her students look to be way older. The youngest seem to be 9 or 10 while the oldest could be 12, 13 or even older.
- Générique farfeluThe Paramount logo is shortened at both ends, fading in at the point the text already appears. It was gray-scaled in the closing version.
- ConnexionsFeatured in Sex, Censorship and the Silver Screen: Forward Into the Past (1996)
- Bandes originalesTry Me, I Know We Can Make It
Written by Donna Summer (uncredited), Giorgio Moroder (uncredited) and Pete Bellotte (uncredited)
Performed by Donna Summer
Courtesy of Casablanca Record & FilmWorks
Commentaire en vedette
Thersea Dunn (Diane Keaton) is a dedicated teacher by day. By night she cruises bars picking up men for increasingly violent sexual encounters. This leads to drug abuse and starts affecting her job. Can she stop?
A VERY negative view of the swinging 70s before AIDS came about in the 80s. I originally saw this on TV when I was in high school where it was cut to ribbons and virtually incomprehensible. A revival theatre did show it a few months later so I got to see it uncut on the big screen. I was a little too young to understand it fully (a 10th grader doesn't know much about singles bars:)) but the message came through loud and clear--sex + drugs = death. There's more to it than that--they get into Dunn's family life and you see she grew up feeling neglected with an obnoxious loud father and a meek mother. There's also her sister Katherine (Tuesday Weld) who is also addicted to sex and drugs. Basically this is a very depressing film full of unpleasant characters and situations. Keaton is great in her role--she totally buried her "Annie Hall" image with this. She also did nude scenes which she previously refused to do. Weld was superb (and Oscar-nominated) for her role. It's also fun to see Richard Gere and LeVar Burton before they hit it big. Also a still unknown Tom Berenger pops up at the end in a very disturbing but crucial role. He had guts playing the role he does (I won't give it away). This movie has disappeared due to song rights (I believe) and that's too bad. It IS disturbing but an accurate portrayal of the dark side of the singles bars in the 1970s.
A VERY negative view of the swinging 70s before AIDS came about in the 80s. I originally saw this on TV when I was in high school where it was cut to ribbons and virtually incomprehensible. A revival theatre did show it a few months later so I got to see it uncut on the big screen. I was a little too young to understand it fully (a 10th grader doesn't know much about singles bars:)) but the message came through loud and clear--sex + drugs = death. There's more to it than that--they get into Dunn's family life and you see she grew up feeling neglected with an obnoxious loud father and a meek mother. There's also her sister Katherine (Tuesday Weld) who is also addicted to sex and drugs. Basically this is a very depressing film full of unpleasant characters and situations. Keaton is great in her role--she totally buried her "Annie Hall" image with this. She also did nude scenes which she previously refused to do. Weld was superb (and Oscar-nominated) for her role. It's also fun to see Richard Gere and LeVar Burton before they hit it big. Also a still unknown Tom Berenger pops up at the end in a very disturbing but crucial role. He had guts playing the role he does (I won't give it away). This movie has disappeared due to song rights (I believe) and that's too bad. It IS disturbing but an accurate portrayal of the dark side of the singles bars in the 1970s.
- preppy-3
- 6 août 2009
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Détails
Box-office
- Brut – États-Unis et Canada
- 22 512 655 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 540 635 $ US
- 23 oct. 1977
- Brut – à l'échelle mondiale
- 22 512 655 $ US
- Durée2 heures 16 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was À la recherche de M. Goodbar (1977) officially released in India in Hindi?
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