ÉVALUATION IMDb
5,7/10
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MA NOTE
Ajouter une intrigue dans votre langueA newly-married woman becomes convinced someone from her past is stalking her, but nobody believes her until the bodies start to pile up.A newly-married woman becomes convinced someone from her past is stalking her, but nobody believes her until the bodies start to pile up.A newly-married woman becomes convinced someone from her past is stalking her, but nobody believes her until the bodies start to pile up.
Histoire
Le saviez-vous
- AnecdotesLynne Frederick supplied some of her own wardrobe for this film due to its very low budget.
- GaffesIn the introductory voice over, schizophrenia is likened to multiple personality disorder (or dissociative identity disorder). In reality, these are two entirely different ailments, one being a disruption in a person's perception of reality (schizophrenia) and the other a disconnect between more than one personality state (DID).
- Autres versionsThe original UK cinema version was cut by the BBFC to edit the stabbing of a naked woman during the flashback scene. However additional cuts were made (totalling 1 min 3 secs) for the video release with further edits to the same scene plus cuts to the hammer murder, a sex scene and the stabbing of Mrs Wallace through the head with a knitting needle. The 2008 Redemption DVD is fully uncut.
- ConnexionsFeatured in My Sweet Schizo (2012)
Commentaire en vedette
British cult film-maker Pete Walker's "Schizo" is quite a blunt, if nastily grimy little psycho shocker (with giallo touches) that doesn't provide much in the way of story surprises, but cements a growing sense of unease that's broken up by constant its unpleasantness.
Samantha is an international ice-skater who's about to marry. This should be a happy time in her life; however she gets the feeling that someone is stalking her. Someone from her past, she would like to forget about. However that's hard to do when dead bodies start piling up and she believes it to be the man that slashed her mother to death, but no one seems to believe her.
The ensemble cast bestows some strong performances, especially in its support with standouts like the gorgeous Stephanie Beacham and a cynical John Frazer. Even Jack Watson had a creepy presence about him. A sound turn by Lynne Frederick in the lead covering a neurotic side and John Leyton is acceptable as her husband. Walker sturdily strings together the taut set-pieces with his leering, but expressive camera-work. The narrative keeps everything rather shady, building an edgy psychological imprint with its stalk and slash structure. The script stays interesting (despite never being too revealing) and playing around with a sense of paranoia (stress used as an excuse), but the red herrings are too obvious to be effective, so when it comes to the double whammy it doesn't pack much of a blow or is particularly credible. Stanley Myers' unhinged music score is jaunty, but extremely haunting and disorienting in its spells.
Nice cover artwork on the VHS case, but it does give a subtle clue to where the story might just head.
Samantha is an international ice-skater who's about to marry. This should be a happy time in her life; however she gets the feeling that someone is stalking her. Someone from her past, she would like to forget about. However that's hard to do when dead bodies start piling up and she believes it to be the man that slashed her mother to death, but no one seems to believe her.
The ensemble cast bestows some strong performances, especially in its support with standouts like the gorgeous Stephanie Beacham and a cynical John Frazer. Even Jack Watson had a creepy presence about him. A sound turn by Lynne Frederick in the lead covering a neurotic side and John Leyton is acceptable as her husband. Walker sturdily strings together the taut set-pieces with his leering, but expressive camera-work. The narrative keeps everything rather shady, building an edgy psychological imprint with its stalk and slash structure. The script stays interesting (despite never being too revealing) and playing around with a sense of paranoia (stress used as an excuse), but the red herrings are too obvious to be effective, so when it comes to the double whammy it doesn't pack much of a blow or is particularly credible. Stanley Myers' unhinged music score is jaunty, but extremely haunting and disorienting in its spells.
Nice cover artwork on the VHS case, but it does give a subtle clue to where the story might just head.
- lost-in-limbo
- 23 avr. 2011
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