ÉVALUATION IMDb
7,7/10
15 k
MA NOTE
Une veuve de la Seconde Guerre mondiale tente de s'adapter à la vie dans l'Allemagne d'après-guerre.Une veuve de la Seconde Guerre mondiale tente de s'adapter à la vie dans l'Allemagne d'après-guerre.Une veuve de la Seconde Guerre mondiale tente de s'adapter à la vie dans l'Allemagne d'après-guerre.
- Prix
- 13 victoires et 7 nominations au total
George Eagles
- Bill
- (as George Byrd)
Günter Lamprecht
- Hans Wetzel
- (as Günther Lamprecht)
Histoire
Le saviez-vous
- AnecdotesThe abbreviation "LSR," seen painted on various walls throughout the film, stands for "Luftschutzraum," German for "air raid shelter".
- GaffesAt the end of the cut of the two kids blowing up the firecrackers, they start laughing but no sound is heard. The sound of laughter is heard on the next cut after they get yelled at by the man scavenging for wood.
- Citations
Maria Braun: I'm a master of deceit: a capitalist tool by day, and by night an agent of the proletarian masses - the Mata Hari of the Economic Miracle.
- Générique farfeluAt the very end of the credits the following persons are 'credited' by their picture: Konrad Adenauer, Ludwig Erhard, Kurt Georg Kiesinger and Helmut Schmidt and a disconnected phone line can be heard.
- Bandes originalesIn The Mood
Written by Wingy Manone, Andy Razaf and Joe Garland
Commentaire en vedette
We watched this film in our German Cinema class at university some years ago, and I still remember it well.
Without wishing to give too much away, it tells the tale of a woman who, seeing the desolate landscape that Germany was in 1945, determines to build herself a comfortable life and, as she does so, she becomes one of many women in Germany rebuilding the nation. This was a time, historically, when the women were a greater driving force in the social and economic rebuilding of the nation than were the men (who were both lacking in credibility following the horrors and the mess of the years past, and somewhat dazed by what the nation had just been through).
As she builds that life (and in so doing helps to rebuild the nation), however, she finds that she may have sacrificed too much.
It is a movie worth watching in order to gain some understanding of what life was like in Germany from 1945 to roughly 1970. Rainer Fassbinder makes use of images in places which show the transition of German society from broken ruins to economic superpower, the changing status of women in German society over that time period, the changing attitudes both within Germany and from outside toward Germany, and the sacrifices that women were prepared to make in order to build the Germany that they ultimately did. It also asks, though, if the single-minded pursuit of rebuilding the nation economically and materially did not take too much out of the nation and the people in other areas.
I enjoyed the movie, and am happy to recommend it.
Without wishing to give too much away, it tells the tale of a woman who, seeing the desolate landscape that Germany was in 1945, determines to build herself a comfortable life and, as she does so, she becomes one of many women in Germany rebuilding the nation. This was a time, historically, when the women were a greater driving force in the social and economic rebuilding of the nation than were the men (who were both lacking in credibility following the horrors and the mess of the years past, and somewhat dazed by what the nation had just been through).
As she builds that life (and in so doing helps to rebuild the nation), however, she finds that she may have sacrificed too much.
It is a movie worth watching in order to gain some understanding of what life was like in Germany from 1945 to roughly 1970. Rainer Fassbinder makes use of images in places which show the transition of German society from broken ruins to economic superpower, the changing status of women in German society over that time period, the changing attitudes both within Germany and from outside toward Germany, and the sacrifices that women were prepared to make in order to build the Germany that they ultimately did. It also asks, though, if the single-minded pursuit of rebuilding the nation economically and materially did not take too much out of the nation and the people in other areas.
I enjoyed the movie, and am happy to recommend it.
- whitikau
- 29 nov. 2004
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is The Marriage of Maria Braun?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Marriage of Maria Braun
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 975 000 DEM (estimation)
- Brut – États-Unis et Canada
- 8 144 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 623 $ US
- 16 févr. 2003
- Brut – à l'échelle mondiale
- 11 859 $ US
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Le mariage de Maria Braun (1979) officially released in India in English?
Répondre