Les voitures qui ont mangé Paris

A camp horror classic and Weir's feature debut. It's smart, gross, cheeky, macabre and just great.

Don't watch it if you think low budget is the same as being 'amateurish' because it's not. And if you're not used to Australian English, well, try not to panic. Doesn't matter if you don't get every word - just go with it!

This is the kind of film you don't see much any more, perhaps a product of its era. They weren't thinking much about marketing or target demographics - these filmmakers were just having a lot of fun, experimenting and coming up with something unique. Genre crossing, challenging and freaky, it also taps into some big themes about Australian identity and paranoia.