Ajouter une intrigue dans votre langueIn medieval France, some villagers challenge a man's claim of identity when he (as he says) returns home from some time in the army.In medieval France, some villagers challenge a man's claim of identity when he (as he says) returns home from some time in the army.In medieval France, some villagers challenge a man's claim of identity when he (as he says) returns home from some time in the army.
- Nommé pour 1 oscar
- 6 victoires et 4 nominations au total
Histoire
Le saviez-vous
- AnecdotesBased on a true story.
- ConnexionsFeatured in Les cent et une nuits de Simon Cinéma (1995)
Commentaire en vedette
After about thirteen or fourteen years I finally was able to see this film again, this time in French with subtitles, not dubbed into German. There was nothing wrong with the German version, the film certainly didn't fail to impress me so much, that I declared this film to be the best Gérard Depardieu has ever done. I think I still have the same opinion, although meanwhile it ties with Les Misérables.
Now today I watched it again. I couldn't remember anything really, just parts of scenes and what happened at the end, of course. But then everything came back. The music suddenly seemed familiar, the village, the faces. I still was surprised to see Tcheky Karyo's name in the credits at the end, because I missed him completely, while I recognized Dominique Pinon at once, much younger of course. Again I stood in awe of the costumes and the village scenery. Everything was so convincing and realistic. As if someone had done a time travel and brought back a video. After The Name of the Rose this is the best period film till now. In the art department. But also certainly in acting, writing and directing.
Gérard Depardieu and Nathalie Baye deliver performances which are outstanding. Every acting student should watch them, they are masters of their profession. They show emotions which are almost palpable, you feel with them, certainly towards the end, but also during the rest of the time. The script offered them "only" great parts and they created lives out of the printed words. Every gesture, every movement, every look fits and connects the viewer with the story. As if you're in the story, not watching it. There is no doubt whatsoever that this story is real. Even if history should have been a bit different (which I don't know), the story in the film feels real.
And I just want to add that everyone who calls M. Depardieu ugly or anything like it, is not only extremely rude but obviously not receptive to any kind of charisma and aura. With actors (as with people in general, right?) looks are not important. Whoever thinks that, should switch from watching films to watching models. There he can get empty beauty.
My recommendation is: watch this film. You can hardly spend an evening in a better way. 10 out of 10.
Now today I watched it again. I couldn't remember anything really, just parts of scenes and what happened at the end, of course. But then everything came back. The music suddenly seemed familiar, the village, the faces. I still was surprised to see Tcheky Karyo's name in the credits at the end, because I missed him completely, while I recognized Dominique Pinon at once, much younger of course. Again I stood in awe of the costumes and the village scenery. Everything was so convincing and realistic. As if someone had done a time travel and brought back a video. After The Name of the Rose this is the best period film till now. In the art department. But also certainly in acting, writing and directing.
Gérard Depardieu and Nathalie Baye deliver performances which are outstanding. Every acting student should watch them, they are masters of their profession. They show emotions which are almost palpable, you feel with them, certainly towards the end, but also during the rest of the time. The script offered them "only" great parts and they created lives out of the printed words. Every gesture, every movement, every look fits and connects the viewer with the story. As if you're in the story, not watching it. There is no doubt whatsoever that this story is real. Even if history should have been a bit different (which I don't know), the story in the film feels real.
And I just want to add that everyone who calls M. Depardieu ugly or anything like it, is not only extremely rude but obviously not receptive to any kind of charisma and aura. With actors (as with people in general, right?) looks are not important. Whoever thinks that, should switch from watching films to watching models. There he can get empty beauty.
My recommendation is: watch this film. You can hardly spend an evening in a better way. 10 out of 10.
- missmarmite
- 24 juill. 2004
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Return of Martin Guerre
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 3 723 036 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 682 $ US
- 7 juill. 2019
- Brut – à l'échelle mondiale
- 3 723 036 $ US
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By what name was Le retour de Martin Guerre (1982) officially released in India in English?
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