Quatre épisodes d'horreur et de science-fiction, réalisés par quatre metteurs en scène célèbres, chacun étant une nouvelle version d'un classique de la série télévisée phare de Rod Serling.Quatre épisodes d'horreur et de science-fiction, réalisés par quatre metteurs en scène célèbres, chacun étant une nouvelle version d'un classique de la série télévisée phare de Rod Serling.Quatre épisodes d'horreur et de science-fiction, réalisés par quatre metteurs en scène célèbres, chacun étant une nouvelle version d'un classique de la série télévisée phare de Rod Serling.
- Prix
- 1 victoire et 8 nominations au total
Rainer Peets
- German Officer (segment "Time Out")
- (as Remus Peets)
William S. Taylor
- G.I. (segment "Time Out")
- (as William B. Taylor)
Histoire
Le saviez-vous
- AnecdotesThe scene being shot at the time of Vic Morrow's fatal accident was added to the script in an attempt to "soften" his bigoted character Bill Connor, and give him some redemption: while fleeing from American attacks on a Vietnamese village, he sees two orphaned children. Bill decides to save them no matter what the cost, so he carries them under his arms and wades through the river to safety. He then finds himself back in Nazi-occupied France again, the two children having time-jumped with him. The Nazis take the children away for execution, and take Bill to a train. Due to the helicopter accident that claimed the life of Morrow and child actors Renee Chen and My-ca Dinh Le, all scenes featuring the children were completely cut, and they do not appear in the film. Bill's originally scripted ending was kept in, leaving Bill's character change largely unaddressed.
- GaffesAn exterior shot of the airplane in Segment #4 shows the landing gear to be in the down position. The pilot later comments that the plane would be landing in twenty minutes, far too long for gear to be down prior to touchdown.
- Citations
Car Passenger: Hey... you wanna see something really scary?
- Autres versionsCBS edited 8 minutes from this film for its 1986 network television premiere.
- Bandes originalesNights Are Forever
Performed by Jennifer Warnes
Music by Jerry Goldsmith
Lyrics by John Bettis
Produced by Bruce Botnick with James Newton Howard
[Segment #1: playing when William enters the bar]
Commentaire en vedette
I'm a huge fan of the series, and I remember being obsessed with TZ The Movie when it was released. I was 12, after all!!
Recently watched the film again for the first time in at least 15 years. I was blown away by the final segment, it's truly a classic which really scared the stuffing outta me. That evil little girl who takes Polaroids of everything freaked me out to no end. For me, it's the only segment in which the quality of the writing matches the direction and visuals from beginning to end.
I saw the original episode upon which Joe Dante's (3rd) segment is based when I was spending the night at my friend's house in 4th grade. It, too, really frightened me. I remember thinking to myself how hopeless the situation was-- if you even TRIED to not think bad thoughts about Anthony, you would end up thinking them, and he could still get you!! And didn't he "wish someone away to the cornfield"?? Man, that's some serious freakiness.
I thought the design of that segment in the movie was incredible, I'll never forget the mom holding the fishbowl, or the ferocious rabbit creature, or what happens to Ethel ("Run, Ethel....!") But the ending is truly atrocious and almost ruins what has come before.
What can I say about the other two segments? Better scripts were needed in order to make them work. And in the case of "Kick the Can", sticking more closely to the original episode would have given it more impact. (Not to mention firing Steven Spielberg.)And it's sad seeing Vic Morrow in his final role-- I'll always think of him as the sadistic coach in THE BAD NEWS BEARS, which is one of my all-time favorites.
All in all, a very uneven movie which improves steadily as it goes along. 6/10.
Recently watched the film again for the first time in at least 15 years. I was blown away by the final segment, it's truly a classic which really scared the stuffing outta me. That evil little girl who takes Polaroids of everything freaked me out to no end. For me, it's the only segment in which the quality of the writing matches the direction and visuals from beginning to end.
I saw the original episode upon which Joe Dante's (3rd) segment is based when I was spending the night at my friend's house in 4th grade. It, too, really frightened me. I remember thinking to myself how hopeless the situation was-- if you even TRIED to not think bad thoughts about Anthony, you would end up thinking them, and he could still get you!! And didn't he "wish someone away to the cornfield"?? Man, that's some serious freakiness.
I thought the design of that segment in the movie was incredible, I'll never forget the mom holding the fishbowl, or the ferocious rabbit creature, or what happens to Ethel ("Run, Ethel....!") But the ending is truly atrocious and almost ruins what has come before.
What can I say about the other two segments? Better scripts were needed in order to make them work. And in the case of "Kick the Can", sticking more closely to the original episode would have given it more impact. (Not to mention firing Steven Spielberg.)And it's sad seeing Vic Morrow in his final role-- I'll always think of him as the sadistic coach in THE BAD NEWS BEARS, which is one of my all-time favorites.
All in all, a very uneven movie which improves steadily as it goes along. 6/10.
- Cobbler
- 5 oct. 1999
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Twilight Zone: The Movie
- Lieux de tournage
- 15238 Victory Boulevard, Van Nuys, Los Angeles, Californie, États-Unis(bar in segment #1; exterior & interior)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 29 450 919 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 614 366 $ US
- 26 juin 1983
- Brut – à l'échelle mondiale
- 29 450 919 $ US
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the Brazilian Portuguese language plot outline for La quatrième dimension (1983)?
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