Plusieurs adolescents néerlandais font face à la différence cruelle entre les rêves et la réalité.Plusieurs adolescents néerlandais font face à la différence cruelle entre les rêves et la réalité.Plusieurs adolescents néerlandais font face à la différence cruelle entre les rêves et la réalité.
Saskia van Basten-Batenburg
- Truus
- (as Saskia Ten Batenburg)
Ab Abspoel
- Rien's vader
- (as Albert Abspoel)
Histoire
Le saviez-vous
- AnecdotesSpetters was heavily criticized in the Netherlands. Many critics accused the movie of being anti-women, anti-gay, anti-invalid, and anti-Christian. They also called it devoid of morals and needlessly decadent. This criticism was one of the contributing factors in director Paul Verhoeven's decision to begin making movies in America rather than his native land. In fact, on the movie's commentary track, Verhoeven has stated that the reason he was not fazed by the negative criticism of Les Girls de Las Vegas (1995) was because he'd already been through it with Spetters (1980). He also pointed out that he also moved to America because it grew difficult to get funding. "All Dutch movies were fifty to sixty percent subsidized by the government. I was denied government funding because my movies were considered to be decadent, perverted, and antigovernment. That's when I had to leave. The problem was the leftists -- they are so fucking dogmatic. At that time in Holland, they were often more fascistic than the right."
- GaffesDuring the first bike race which Hans (Maarten Spanjer) loses because his bike breaks down, he gets splattered with dirt/mud all over his white jersey. But when he is at the trailer getting food moments later, his jersey is free of mud and dirt.
- Autres versionsWas released uncut in the UK before the video recordings act, on a laserdisc by Embassy Video
- ConnexionsFeatured in Allemaal film: De magie van het witte doek (2007)
Commentaire en vedette
'Spetters' begins like one of the countless American teen coming of age "romps" we had to endure in the 1980s (....shudder...), but being a Paul Verhoeven movie things quickly become darker and more subversive. Verhoeven's most recent Hollywood effort 'Hollow Man' was a stinkeroo, but this shouldn't detract from his past achievements. Especially his brilliant output in the 1980s, a decade where mainstream movie making hit a new low (since surpassed I'm sad to say). Verhoeven didn't direct a bad movie in the 80s, which is something very few American directors can say truthfully. Even David Lynch gave us 'Dune' during this period. 'Spetters' is much tougher and confronting than you'd expect from scanning the basic plot line - three young horny guys pursue their dreams which centre around motorcross. That's what makes this movie so surprising and memorable. Verhoeven regulars Rutger Hauer and Jeroen Krabbe pop up in quite good cameos, but the movie is carried by the three young unknown (to international audiences) male leads. All are well cast and impressive. As is the foxy Renee Soutendijk, who would go on to play a major part in Verhoeven's next movie, the brilliant erotic thriller 'The Fourth Man'. 'Spetters' is raw and unpolished compared to many of Verhoeven's subsequent movies, but is definitely worth watching. Another winner from this often maligned director who I'm certain will one day get the attention and praise he deserves.
- Infofreak
- 7 sept. 2002
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Spetters - Knallhart und romantisch
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
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