Un mauvais fils

This film has a beautiful density. Dramatic density, with each of the characters who are human beings, not clichés or stereotypes. Each one of them contributes to this story, simple, but rich, dense, where family, friends, lovers contribute to produce a beautiful drama. Patrick Dewaere returns from prison in the USA; he finds his father, Yves Robert, who could give the title of "a bad father" to the film, even if we understand him. The police help Patrick Dewaere to reintegrate. He then crosses the path of Brigitte Fossey (very good performance), also in rehabilitation following his drug addiction. He also meets Jacques Dufilho, who will help him to reintegrate.

The film could be called a beautiful story, with beautiful characters, poignant at times, but gripping, which accepts that everyone has good sides, or weaknesses, and are able to overcome them, or not. The script also mixes, without condescension or judgment, the universe of the father, a public works worker, and the employer for the reintegration, Jacques Dufilho, who is a bookseller and music lover. These worlds are articulated through the character of Patrick Dewaere.

In its kind, a perfect film, which does not leave indifferent, which knots the stomach of the spectator.