Une femme est tourmentée et agressée sexuellement par un démon invisible.Une femme est tourmentée et agressée sexuellement par un démon invisible.Une femme est tourmentée et agressée sexuellement par un démon invisible.
- Prix
- 1 victoire et 2 nominations au total
Histoire
Le saviez-vous
- AnecdotesBarbara Hershey said, "I resent being put in the position of defending the film. We worked really hard not to make it exploitative. Rape is one of the ugliest, if not the ugliest thing, that can happen to someone. It's murder of a sort. I have no answer for those who are offended. They're right, but I don't think our intention was to exploit the subject, or the result. Truly, I don't. I think we did well with it." When Hershey was interviewed for the Scream Factory Blu-ray of The Entity in 2018, she had nothing but kind words to say about director Sidney J. Furie, even saying that going to work on it was fun and stress-free because he was at the helm, making her feel comfortable, safe, and protected at every turn. She also described it as one of the best creative experiences of her career.
- GaffesWhen Carla is first attacked by the demon, she is slapped rather hard in the face and her lip is bloodied. But in the subsequent scenes and the days following, there is no mark on her lip.
- Citations
The Entity: Welcome home, cunt.
- ConnexionsEdited into Outer Space (1999)
- Bandes originalesSaturday Nite's All Right For Fighting
Written by Elton John (uncredited) and Bernie Taupin (uncredited)
Performed by Elton John
Courtesy of This Record Co., Ltd.
Commentaire en vedette
Actually, "The Entity" isn't a haunted house movie as much as it is a haunted person movie since the ghost or "the entity" only follows the main character around. What makes this movie darker than say "Poltergeist" is that we hardly ever see the demon that causes all the trouble. We only see what it does and that's raping its poor victim without remorse.
A story such as this could easily have become campy, especially since it was made in 1981. Surprisingly, "The Entity" still holds up very well. The performances are convincing, the characters are believable and the special effects are reduced to a minimum. The whole script comes dangerously close to losing its balance when in the last third of the movie a team of parapsychologists turns up and has some "really rad ideas" on how to destroy The Entity. However, thankfully the movie doesn't go too much over the top.
The weak points of "The Entity" are that it's not too scary and too long, both for the sake of maintaining veracity since this is supposedly based on a true story. As a horror movie it could have used better pacing and some jump scenes. The score is minimalist in that it's only a thunderous beat that kicks in as soon as The Entity turns up. What worked well in "The Thing" is a bit too little here. The same can be said about the ending. An open ending can be a good thing, but there should at least come a satisfying climax before it and at the end the main character's situation should have changed for better or for worse. "The Entity" kind of just stops without the heroine achieving anything.
A remake by Hideo Nakata is in the works and it seems to be a good idea to hand the project to an Asian director as the rawness of the story would probably get lost in the hands of an American. Here's one original movie that can be bettered as much as it could be worsened. We'll see what happens.
A story such as this could easily have become campy, especially since it was made in 1981. Surprisingly, "The Entity" still holds up very well. The performances are convincing, the characters are believable and the special effects are reduced to a minimum. The whole script comes dangerously close to losing its balance when in the last third of the movie a team of parapsychologists turns up and has some "really rad ideas" on how to destroy The Entity. However, thankfully the movie doesn't go too much over the top.
The weak points of "The Entity" are that it's not too scary and too long, both for the sake of maintaining veracity since this is supposedly based on a true story. As a horror movie it could have used better pacing and some jump scenes. The score is minimalist in that it's only a thunderous beat that kicks in as soon as The Entity turns up. What worked well in "The Thing" is a bit too little here. The same can be said about the ending. An open ending can be a good thing, but there should at least come a satisfying climax before it and at the end the main character's situation should have changed for better or for worse. "The Entity" kind of just stops without the heroine achieving anything.
A remake by Hideo Nakata is in the works and it seems to be a good idea to hand the project to an Asian director as the rawness of the story would probably get lost in the hands of an American. Here's one original movie that can be bettered as much as it could be worsened. We'll see what happens.
- Superunknovvn
- 11 juill. 2006
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Entity
- Lieux de tournage
- 523 Sheldon Street, El Segundo, Californie, États-Unis(Carla Moran's house)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 13 277 558 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 685 654 $ US
- 6 févr. 1983
- Brut – à l'échelle mondiale
- 13 277 558 $ US
- Durée2 heures 5 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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