ÉVALUATION IMDb
5,1/10
7,1 k
MA NOTE
Ajouter une intrigue dans votre langueA legendary psychopathic murderer stalks a summer camp.A legendary psychopathic murderer stalks a summer camp.A legendary psychopathic murderer stalks a summer camp.
- Prix
- 1 nomination au total
Gaylen Ross
- Betsy
- (as Alexis Dubin)
Tony Nunziata
- TP
- (as Tony Fish)
Tom Candela
- Richie
- (as Jimmy Steele)
Frederick Neumann
- Max
- (as Carl Fredericks)
Histoire
Le saviez-vous
- AnecdotesPaul Ehlers's son Jonathan Ehlers was born during the shooting of the movie. Paul received the news that his wife was in labor while filming a scene in full Madman Marz make-up. Paul went immediately to the hospital and held his newborn son for the first time while still wearing some of his Marz make-up and overalls covered with fake blood.
- GaffesWhen Marz is holding Bill up in the air and is about to kill him, Bill cries out but his mouth doesn't match the words heard.
- Bandes originalesSong of the Fifth Wind
Sung by Tony Nunziata (as Tony Nunziata)
Written, Produced and Arranged by Gary Sales
© 1980 Gary Sales
Commentaire en vedette
A slick attempt at a slasher with very impressive night photography.
Madman Marz, the film's killer, is a local legend made flesh who kills a bunch of wimpy teens and their counselors.
Joe Giannone's direction of the suspense sequences and ground level camerawork is a cut above. The storyline is serviceable but predictable. The acting ain't worth more than a line.
But do check out the film's night photography. Usually I hate night scenes because they're so poorly illuminated. Not so here. Some very stylish set-ups and artful compositions.
Memorable, thumpy score, too.
Madman Marz, the film's killer, is a local legend made flesh who kills a bunch of wimpy teens and their counselors.
Joe Giannone's direction of the suspense sequences and ground level camerawork is a cut above. The storyline is serviceable but predictable. The acting ain't worth more than a line.
But do check out the film's night photography. Usually I hate night scenes because they're so poorly illuminated. Not so here. Some very stylish set-ups and artful compositions.
Memorable, thumpy score, too.
- fertilecelluloid
- 13 janv. 2004
- Lien permanent
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