ÉVALUATION IMDb
7,9/10
9,7 k
MA NOTE
La vie d'un garçon dans les rues de São Paulo, impliqué dans la vie criminelle, la prostitution et la drogue.La vie d'un garçon dans les rues de São Paulo, impliqué dans la vie criminelle, la prostitution et la drogue.La vie d'un garçon dans les rues de São Paulo, impliqué dans la vie criminelle, la prostitution et la drogue.
- Prix
- 10 victoires et 4 nominations au total
João José Pompeo
- Almir
- (as Joáo José Pompeu)
Rubens Rollo
- Director
- (as Ruben Rollo)
Luis Serra
- Reporter
- (as Luiz Serra)
Histoire
Le saviez-vous
- AnecdotesThe film's star, Fernando Ramos da Silva, who plays a young street criminal, actually was a street criminal before he made this film. After completing it, he took up the criminal life again, and was killed in Brazil in 1987 in an alleged shootout with police. While police reports claim that da Silva was resisting arrest, there are conflicting reports from eyewitnesses, who claim da Silva was unarmed. Furthermore, a forensic examination showed that he had been shot while lying on the ground. Both his wife and mother called the shooting "a police execution." The story of Fernando Ramos da Silva is depicted in the biographical film Quem Matou Pixote? (1996).
- Autres versionsAll UK versions were cut by 27 secs under the 1978 Protection of Children Act. The scene removed was a panning shot showing Pixote on a bed alongside a couple having sex.
- ConnexionsFeatured in Sneak Previews: Pixote, Ragtime, Buddy Buddy, Absence of Malice (1981)
- Bandes originalesCould It Be Magic
Commentaire en vedette
Amazing, controversial, and painful are some essential adjectives to allocate this important piece of art, that depicts the searing and factual adolescence of the marginalized children; i.e. victims of our global village.
Pixote prepubescent, with the unflinching stare of the innocent-all-knowing, left an impression of raw truth in finding credence to the old African saying, "It takes a village to raise a child". The awful reality, though, that director Hector Babenco visualized is that Brazil, with it's confusing, twisted, and socio-economic disparity, is the cause of this robbed innocence. In desperation, we see these children in search of nurturing and love, but only permitted leftovers of what society has tossed aside. Institutionalized rape, prostitution, drug dealing, and murder are the only voice they have in order to be nurtured, be loved, and have power. The only thing that Brazil has to offer these lost children are predators; repeating the cycle of hopelessness. Brazil, as a nation is an unworthy parent.
In retrospect, I believe the film "Pixote" is a parable on the world governments turning a blind eye to the hunger pains of the destitute and impoverished victims of an ever-expanding economy; and the force of irresponsible globalization is leaving blood soaked tear trails of destruction through the interconnected avenues of the world. We see through the symbolism of a child that the inequality or disparity in society has a snowball effect causing cannibalism within ourselves.
Pixote prepubescent, with the unflinching stare of the innocent-all-knowing, left an impression of raw truth in finding credence to the old African saying, "It takes a village to raise a child". The awful reality, though, that director Hector Babenco visualized is that Brazil, with it's confusing, twisted, and socio-economic disparity, is the cause of this robbed innocence. In desperation, we see these children in search of nurturing and love, but only permitted leftovers of what society has tossed aside. Institutionalized rape, prostitution, drug dealing, and murder are the only voice they have in order to be nurtured, be loved, and have power. The only thing that Brazil has to offer these lost children are predators; repeating the cycle of hopelessness. Brazil, as a nation is an unworthy parent.
In retrospect, I believe the film "Pixote" is a parable on the world governments turning a blind eye to the hunger pains of the destitute and impoverished victims of an ever-expanding economy; and the force of irresponsible globalization is leaving blood soaked tear trails of destruction through the interconnected avenues of the world. We see through the symbolism of a child that the inequality or disparity in society has a snowball effect causing cannibalism within ourselves.
- giapvu
- 13 déc. 2011
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By what name was Pixote: A Lei do Mais Fraco (1980) officially released in India in English?
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