S'approchant de son rêve de mener une vie normale, un perceur de coffres professionnel accepte de faire un coup pour la mafia, qui a d'autres plans pour lui.S'approchant de son rêve de mener une vie normale, un perceur de coffres professionnel accepte de faire un coup pour la mafia, qui a d'autres plans pour lui.S'approchant de son rêve de mener une vie normale, un perceur de coffres professionnel accepte de faire un coup pour la mafia, qui a d'autres plans pour lui.
- Prix
- 2 victoires et 6 nominations au total
Jim Belushi
- Barry
- (as James Belushi)
W.R. Brown
- Mitch
- (as W.R. [Bill] Brown)
Histoire
Le saviez-vous
- AnecdotesAfter Le parrain (1972), this was James Caan's favorite film of his own. He had stated that his monologue in the diner was the scene of which he was most proud in his career.
- GaffesFrank's mentor at the steel mill said, "Seven-, Eight-thousand degrees. Portable equipment! Sonny, if I can build it, it's going to be a son-of-a-bitch to use." Given that and the small hole cut at the top of the elevator shaft, getting into the vault room with all the welding equipment, oxygen and acetylene tanks would not have been easy but they could have winched it down. When planning the heist, it is mentioned they would be spending 16 to 18 hours inside the building.
- Citations
Okla: Lie to no one. If there 's somebody close to you, you'll ruin it with a lie. If they're a stranger, who the fuck are they you gotta lie to them?
- Autres versionsThere are three official versions of the film - the Theatrical Cut (1981), the Director's Special Edition (1995), and the Director's Cut (2014). The Director's Special Edition was released on LaserDisc in 1995, and subsequently on DVD in 1998. This was the only version of the film available until 2014, when Criterion released the newly edited Director's Cut on DVD and Blu-ray. The following year Arrow Video released a two-disc Blu-ray set featuring both the Theatrical Cut and the Director's Cut. There is only one difference between the Theatrical Cut and the Director's Cut - right after the opening heist, there is a new scene where Frank (James Caan) meets his friend Cap (Willie Dixon) on the pier and the two admire the stillness of the water (1:22). The rest of the Director's Cut is identical to the Theatrical Cut. The Director's Special Edition also features the scene with Cap, but there are also some other minor changes, which were not been carried over to the Director's Cut. For the Special Director's Edition,
- After the second heist, the scene of Frank lighting up a cigarette and nodding to himself has been shortened (-00:02).
- The cut from Frank nodding to the shot of the beach is no longer in sync with the music, instead it cuts to the beach before the music cue.
- A slow motion shot of Jessie (Tuesday Weld) holding the baby on the beach is absent (-00:07).
- The initial shot of the waves in the above scene has been slowed down (00:09).
- The shot of Frank taking a box from a shelf before telling Jessie to leave has been shortened (-00:03).
- During the scene where Frank is telling Jessie to leave, her line "We just disassemble it and put it back in a box like an erector set you just send back to a store?" has been changed to "We just disassemble it and put it back in a box?"
- The last shot of Frank's collage has been shortened (-00:02).
- The speed of some of the shots during the shootout has been altered; the shot of Attaglia (Tom Signorelli) falling to the ground and the shot of Frank falling after Carl (Dennis Farina) shoots him have been sped up (-00:04), whilst the shot of Carl falling back into the bushes has been slowed down and edited slightly differently (00:02)
Commentaire en vedette
Director Michael Mann sure loves his diner scenes. The scene in which Frank takes Jessie to the diner might very well be my favorite of the film, as it steadily proves that this more than just a film about heists and tough guys. James Caan is perfectly cast as Frank, and throughout the film he holds the weight of his performance up as if it were only five pounds, portraying Frank as tough, fearless and thick skinned. But in the diner, as well as in his interactions with Okla (played by Willie Nelson!!!) he is able to open us up to more. The photo Frank has in his wallet is a very strange yet alluring glimpse inside his mind and his heart that he would not otherwise show. Tuesday Weld's reactions as Jessie also help show us how he is slowly winning her over not just by being aggressive, but by showing vulnerability. From then on, I knew the film had established itself as a great one, as I now clearly understood Frank's true motivations. It proved to me that the film is just as much a character study than is a heist and gangster film. And boy, does it deliver on both fronts.
- ismaelslgd
- 14 oct. 2018
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Détails
Box-office
- Budget
- 5 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 11 492 915 $ US
- Brut – à l'échelle mondiale
- 11 494 812 $ US
- Durée2 heures 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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