Après avoir émis le souhait de devenir grand, un adolescent se réveille dès le lendemain matin dans le corps d'un adulte.Après avoir émis le souhait de devenir grand, un adolescent se réveille dès le lendemain matin dans le corps d'un adulte.Après avoir émis le souhait de devenir grand, un adolescent se réveille dès le lendemain matin dans le corps d'un adulte.
- Nommé pour 2 oscars
- 11 victoires et 14 nominations au total
- Ticket Taker
- (as Gary Klar)
Histoire
Le saviez-vous
- AnecdotesAccording to Robert Loggia, on the day they filmed the famous Walking Piano scene at FAO Schwarz, he and Tom Hanks noticed that doubles dressed like them were on hand just in case they could not do the dance moves correctly. It became their goal to do the entire number without the aid of the doubles. They succeeded.
- GaffesBefore Josh and MacMillan play the Walking Piano at FAO Schwarz, Josh throws a bag down on the ground. When they leave he leaves it there and doesn't take it with him.
- Citations
Young Josh, Billy: The space goes down, down baby, down, down the roller coaster. Sweet, sweet baby, sweet, sweet, don't let me go. Shimmy, shimmy, cocoa pop. Shimmy, shimmy, rock. Shimmy, shimmy, cocoa pop. Shimmy, shimmy, rock. I met a girlfriend - a triscuit. She said, a triscuit - a biscuit. Ice cream, soda pop, vanilla on the top. Ooh, Shelly's out, walking down the street, ten times a week. I read it. I said it. I stole my momma's credit. I'm cool. I'm hot. Sock me in the stomach three more times.
- Autres versionsThe Extended Edition is 130 minutes. It was released in 2007, and contains 26 minutes of previously deleted scenes, including Frances Fisher's role as Mrs. Kopecki.
- ConnexionsEdited into 5 Second Movies: Big (2008)
- Bandes originalesThe Way We Were
Written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch
Young Josh Baskin (David Moscow) goes with his family to a carnival one evening, and sees the girl of his dreams. When he finally works up the nerve to talk to her, her date appears with her. Then, he does not meet the height requirement for the roller coaster ride he wants to go on. So, off he goes to a deserted part of the carnival to the "Zoltar" machine, a devil's head encased in glass, to "make his wish." He wishes he "were big." Suffice it to say, Josh wakes up the next morning to discover he is an adult (Tom Hanks). Mom (Mercedes Ruehl) thinks he kidnapped her son, and calls the police. Josh eventually convinces best friend Billy (Jared Rushton) that he (Josh) is his true 13-year-old self trapped in a man's body. They take off to New York, where Josh manages to get a job as a product tester for a large toy company. He befriends the boss (Robert Loggia), who likes Josh's understanding of the toys kids really like. However, Josh finds himself at odds with Paul (John Heard), vice president of marketing, who perceives Josh's simplistic views as an invasion of Paul's more experienced, competitive ways. Never fear, as successful co-worker Susan Lawerence (Elizabeth Perkins) finds comfort in Josh's views and company, and falls in love with him. But the more Josh experiences the privileges and responsibilities of adulthood, the more he longs for his youth again. Should he stay with Susan or find the Zoltar machine and wish to be a kid again?
An impressive film about growing up and making wishes. When you're a kid, you can't wait to grow up. But when you're an adult, you have to make sacrifices and accept responsibility, ideal and not-so-ideal. Also, be careful what you wish for, as you might get it! A Broadway musical version of "Big" opened in the mid-1990s. The piano dancing sequence is its trademark. I had the privilege to play the role of Paul (the John Heard character) in a summer musical production, and loved it! I highly recommend both the film and the musical!
- bppihl
- 5 mars 2005
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Big
- Lieux de tournage
- Rye Playland, Rye, New York, États-Unis(where Josh finds Zoltar at the end of the film)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 115 227 281 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 216 190 $ US
- 5 juin 1988
- Brut – à l'échelle mondiale
- 151 927 281 $ US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1