Après avoir émis le souhait de devenir grand, un adolescent se réveille dès le lendemain matin dans le corps d'un adulte.Après avoir émis le souhait de devenir grand, un adolescent se réveille dès le lendemain matin dans le corps d'un adulte.Après avoir émis le souhait de devenir grand, un adolescent se réveille dès le lendemain matin dans le corps d'un adulte.
- Nommé pour 2 oscars
- 11 victoires et 14 nominations au total
- Ticket Taker
- (as Gary Klar)
Histoire
Le saviez-vous
- AnecdotesAccording to Robert Loggia, on the day they filmed the famous Walking Piano scene at FAO Schwarz, he and Tom Hanks noticed that doubles dressed like them were on hand just in case they could not do the dance moves correctly. It became their goal to do the entire number without the aid of the doubles. They succeeded.
- GaffesBefore Josh and MacMillan play the Walking Piano at FAO Schwarz, Josh throws a bag down on the ground. When they leave he leaves it there and doesn't take it with him.
- Citations
Josh: Will you please leave? I got a deadline to meet. Gosh.
Billy: Who the fuck do you think you are ?
Josh: *Hey*!
Billy: You're Josh Baskin, remember? You broke your arm on my roof! You hid in *my* basement when Robert Dyson was about to rip your head off!
Josh: You don't get it, do you? This is important!
Billy: I'm your best friend. What's more important than that, huh?
[Turns to leave]
Billy: And I'm three months older than you are, *asshole*!
- Autres versionsThe Extended Edition is 130 minutes. It was released in 2007, and contains 26 minutes of previously deleted scenes, including Frances Fisher's role as Mrs. Kopecki.
- ConnexionsEdited into 5 Second Movies: Big (2008)
- Bandes originalesThe Way We Were
Written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch
I think this is one of Hanks' finest hours and see it as the pinnacle of his early pre-90's career. His later performance in Philadelphia would eclipse this role, although this was obviously more serious in its message.
It takes real talent to act the young boy in the body of a thirty something and Hanks' copes admirably, from the comical leaping around the bedroom when he is trying to put on the jeans of the child on discovering his transformation to the child-like reaction displayed on Perkins' advances toward him. He captures the essence of youthful innocence both in the company of his younger peers and older 'work' colleagues.
Elizabeth Perkins complements the performance of Hanks' and it seems a shame that on searching the database that her career perhaps hasn't mirrored the success of Hanks' since making 'Big'.
I don't know why, but I always shed a tear at the end of the film. Perhaps it is the longing in all of us to want to return to the days of our youth and that we cannot turn back the clock as one can in the imaginary world of film.
As I grow older, and watch my children grow-up it makes me realise that time is a precious commodity and that life is a gift that should be cherished and nurtured carefully. This film somehow reinforces these feelings.
- toffeefan
- 11 août 2002
- Lien permanent
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Big
- Lieux de tournage
- Rye Playland, Rye, New York, États-Unis(where Josh finds Zoltar at the end of the film)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 115 227 281 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 216 190 $ US
- 5 juin 1988
- Brut – à l'échelle mondiale
- 151 927 281 $ US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1