While this will likely never be considered one of filmmaker George Romero's best, it still represents a commendable effort in one of his rare forays into studio productions (in this case Orion). Scripted by Romero based on a novel by Michael Stewart, it tells the story of Allan Mann (handsome Jason Beghe), a law student who gets into a horrible accident that renders him a quadriplegic. He soon becomes despondent enough to attempt suicide, but soon he receives some temporary salvation in the form of Ella (Boo), a capuchin monkey who is trained to see to his needs. What he doesn't know is that his friend Geoffrey (John Pankow) has been playing mad scientist and injecting the cute lil' thing with human brain cells. Soon the bond between patient and helper becomes so strong that a mental connection is made, and Ella is physically acting out Allan's worst impulses. So what is he going to do about this little homicidal primate? Romero does a good job here at telling a fairly interesting story, although some viewers might be turned off at the lack of sympathetic characters. Most of them are flawed to some degree or another - creepy dean Burbage (Stephen Root), smarmy, incompetent doctor Wiseman (Stanley Tucci), fair-weather girlfriend Linda (Janine Turner), bitchy nurse Maryanne (Christine Forrest, a.k.a. Mrs. Romero) - and even a guy like Geoffrey, who initially just wants to help, has his problems as he's obsessed with his work. At least Allan has an appealing love interest played by Kate McNeil, whom horror fans will recognize as the lead in the slasher "The House on Sorority Row". The cast is pretty good overall; Joyce Van Patten plays the stereotypically smothering mother to good effect, and it's a treat to see character actors Root and Tucci near the beginnings of their careers, but the one performer the audience is likely to remember is Boo, who's adorable and very well trained; the animal action is first rate throughout (there's also a rather annoying bird on hand). The evolving relationship between Allan and Ella makes for a compelling hook, and it makes one appreciate the real-life efforts that people put into training service animals, and the animals themselves. The film is light on horror - most of the violence is implied - as Romero tends to go for a more psychological approach, and refrains from going for the gore. Overall, this is a decent flick, worth a look for genre fans who are interested in checking out Romero's non-zombie films. Seven out of 10.
