Ajouter une intrigue dans votre langueIn early-twentieth-century Atlanta, the murder of a young girl prompts strong reactions from the community and ultimately leads to the arrest of a man who could actually be innocent.In early-twentieth-century Atlanta, the murder of a young girl prompts strong reactions from the community and ultimately leads to the arrest of a man who could actually be innocent.In early-twentieth-century Atlanta, the murder of a young girl prompts strong reactions from the community and ultimately leads to the arrest of a man who could actually be innocent.
- A remporté 3 prix Primetime Emmy
- 4 victoires et 5 nominations au total
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- AnecdotesAt one point, Lucille (Rebecca Miller) visits Leo (Peter Gallagher) in prison and tells him: "Seems like we spend the best part of our time just saying goodbye." This line is almost identical to the famous one spoken by Angela (Elizabeth Taylor) to George (Montgomery Clift) when she visits him in prison for the last time in Une place au soleil (1951), which was directed by George Stevens, the father of this film's co-writer and producer, George Stevens Jr..
- Autres versionsA sharply abbreviated version also exists online, cutting the running time to the standard length of a theatrical film.
- ConnexionsFeatured in The 40th Annual Primetime Emmy Awards (1988)
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Murder of Mary Phagen, The (1988)
**** (out of 4)
Extremely powerful drama about the murder of 13-year-old Mary Phagen in the factory she worked out in Atlanta, 1913. A determined prosecutor (Richard Jordan) pins the crime on a Jewish manager (Peter Gallagher) who claims his innocence. He's eventually found guilty due in large part to the testimony of a black janitor (Charles S. Dutton) who would normally seem like an unlikely person to get to testify. All of this eventually ends up in the lap of Gov. John Slaton (Jack Lemmon) who will be leaving office soon but must decide whether or not to overturn the conviction, which looks to have been made because the man was Jewish. This story was altered and told in 1937 masterful THEY WON'T FORGET with Claude Rains but this version here is just as good and just as powerful. The movie clocks in at four hours if you include the commercial breaks so it's a long movie but it never felt that way as I was so caught up with what was going on that the movie seemed to run just a few short minutes. The masterful performances make this a must see but so does the story, which is as powerful as an courtroom drama that I've seen. I wasn't overly familiar with the case so I was really hanging on the edge of my seat all through the original case, the Governors investigation as well as the aftermath that followed. I was really shocked to see what type of racism was being used and how much of the bitterness of Atlanta went back to the Civil War days. From what I've read, this film was pretty faithful to the actual events, which makes one scratch their head and question everything that was done. I won't ruin the ending but how everything plays out is just incredibly sad and pathetic.
This made-for-TV drama certainly has the drama down as the thing will leave you in suspense from the opening moments to the very final scenes. The performances are great from the veterans but we also get some fresh faces who would become quite famous over time. Kevin Spacey plays an alcoholic reporter who brings the case the media attention. William H. Mac has a small bit as a relative to the dead girl. Gallagher is extremely laid back in his role and delivers a marvelous performance as you can't help but feel sorry for him. The actor certainly digs deep and manages to bring out a lot of emotions without screaming or going over the top. Jordan is equally as great as the seedy prosecutor who might be hiding a few secrets of his own and Dutton nearly steals the film as the man with too many questions of his own to be a so-called witness. Robert Prosky and Kathryn Walker also turn in fine work. Then there's the legend Lemmon who turns in one of the best and most powerful performances of his career. I know that's saying a lot considering how many great roles he has had but he really delivers some strong emotion here and his final speech is extremely touching even if he doesn't say too much. The pain and anger in Lemmon's eyes is all we have to see to know what he feels. The way Lemmon invests himself into the role and the character's motives for trying to bring justice to this case was very believable and heartfelt.
**** (out of 4)
Extremely powerful drama about the murder of 13-year-old Mary Phagen in the factory she worked out in Atlanta, 1913. A determined prosecutor (Richard Jordan) pins the crime on a Jewish manager (Peter Gallagher) who claims his innocence. He's eventually found guilty due in large part to the testimony of a black janitor (Charles S. Dutton) who would normally seem like an unlikely person to get to testify. All of this eventually ends up in the lap of Gov. John Slaton (Jack Lemmon) who will be leaving office soon but must decide whether or not to overturn the conviction, which looks to have been made because the man was Jewish. This story was altered and told in 1937 masterful THEY WON'T FORGET with Claude Rains but this version here is just as good and just as powerful. The movie clocks in at four hours if you include the commercial breaks so it's a long movie but it never felt that way as I was so caught up with what was going on that the movie seemed to run just a few short minutes. The masterful performances make this a must see but so does the story, which is as powerful as an courtroom drama that I've seen. I wasn't overly familiar with the case so I was really hanging on the edge of my seat all through the original case, the Governors investigation as well as the aftermath that followed. I was really shocked to see what type of racism was being used and how much of the bitterness of Atlanta went back to the Civil War days. From what I've read, this film was pretty faithful to the actual events, which makes one scratch their head and question everything that was done. I won't ruin the ending but how everything plays out is just incredibly sad and pathetic.
This made-for-TV drama certainly has the drama down as the thing will leave you in suspense from the opening moments to the very final scenes. The performances are great from the veterans but we also get some fresh faces who would become quite famous over time. Kevin Spacey plays an alcoholic reporter who brings the case the media attention. William H. Mac has a small bit as a relative to the dead girl. Gallagher is extremely laid back in his role and delivers a marvelous performance as you can't help but feel sorry for him. The actor certainly digs deep and manages to bring out a lot of emotions without screaming or going over the top. Jordan is equally as great as the seedy prosecutor who might be hiding a few secrets of his own and Dutton nearly steals the film as the man with too many questions of his own to be a so-called witness. Robert Prosky and Kathryn Walker also turn in fine work. Then there's the legend Lemmon who turns in one of the best and most powerful performances of his career. I know that's saying a lot considering how many great roles he has had but he really delivers some strong emotion here and his final speech is extremely touching even if he doesn't say too much. The pain and anger in Lemmon's eyes is all we have to see to know what he feels. The way Lemmon invests himself into the role and the character's motives for trying to bring justice to this case was very believable and heartfelt.
- Michael_Elliott
- 12 févr. 2010
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By what name was The Murder of Mary Phagan (1988) officially released in India in English?
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