Un ancien trafiquant de drogue de L.A. essaie de changer sa vie, mais son passé et ses relations avec la pègre le mettent au centre de l'attention de la DEA, des autorités mexicaines et des ... Tout lireUn ancien trafiquant de drogue de L.A. essaie de changer sa vie, mais son passé et ses relations avec la pègre le mettent au centre de l'attention de la DEA, des autorités mexicaines et des cartels de la drogue mexicains.Un ancien trafiquant de drogue de L.A. essaie de changer sa vie, mais son passé et ses relations avec la pègre le mettent au centre de l'attention de la DEA, des autorités mexicaines et des cartels de la drogue mexicains.
- Nommé pour 1 oscar
- 2 victoires et 3 nominations au total
- Arturo
- (as Garret Pearson)
- Sin Sister #2
- (as Lala)
- Woody
- (as Kenneth C. Moore)
Histoire
Le saviez-vous
- AnecdotesThe hot tub was not built properly or chlorinated. Michelle Pfeiffer, her double, and Mel Gibson got skin rashes and splinters from the wood. Production shut down for a few days while Pfeiffer recovered from her rash.
- GaffesWhen Pfeiffer is at the police station getting her chef released, Russell pulls up and parks directly in front of her car. When they leave the station, his car isn't there and Pfeiffer is able to drive away unobstructed.
- Citations
Carlos: You son of a bitch! How could you do this? Friendship is the only choice in life you can make that's yours! You can't choose your family, God damn it - I've had to face that! And no man should be judged for whatever direction his dick goes - that's like blaming a compass for pointing north, for Christ's sake! Friendship is all we have! We chose each other. How could you fuck it up? How could you make us look so bad?
- Générique farfeluAs the end credits roll, the color of the text changes from dark orange (at the bottom of the screen) to yellow (at the top), mirroring the colors of a Tequila Sunrise cocktail.
- Bandes originalesSurrender to Me (Love Theme from 'Tequila Sunrise')
Performed by Ann Wilson & Robin Zander
Courtesy of Capitol Records, Inc. & Epic Records
Produced by Richie Zito
Written by Richard Marx & Ross Vannelli
Gibson plays a drug dealer with, if not a conscience, at least a code of some sort of ethics. He is raising a son and wants to retire from illegal activities so that he may be a good role model.
Russel plays a narcotics cop bucking for a promotion. In order to get his promotion he needs to bust the area's most notorious dealer... guess who. Problem: he and Gibson and childhood mates.
Pfeiffer is a woman caught between them, each one wanting her for different reasons. Raul Julia and J.T. Walsh complete the central players in a fine ensemble on people with agendas that may be worth sacrificing the alliances they have made along the way.
As the various subplots tie themselves into impossible-to-unravel knots, every character will be forced to question what it is he or she holds sacred. Tough and even regretted decisions are made. Friendships are made and dissolved, hearts are broken, revenges plotted...
Gibson is at his best here, Pfeiffer brings great depth to what could easily have been little more than a trophy role. Walsh and Julia are so poker-faced that an audience member who succeeds in reading all the angles should account himself no more than a lucky guesser as they leave you very few clues to work with.
Ironically, despite the desires of Gibson and Towne, the ending had to be altered to please test audiences. Later critics would harp severely on the final shot, the reviews keeping away significant audience. While the ending may be unsatisfying to the typically cynical noir fan, it does not change the fact that this a far-above-average genre flick with an excellent cast and a superb script.
Worth a watch, worth several.
- kpd1
- 31 mai 1999
- Lien permanent
Meilleurs choix
- How long is Tequila Sunrise?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Tequila sunrise: Un cocktail explosif
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 23 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 41 292 551 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 350 974 $ US
- 4 déc. 1988
- Brut – à l'échelle mondiale
- 41 292 551 $ US
- Durée1 heure 55 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1