Le scientifique Sam Beckett se retrouve coincé dans le passé, où il "saute" dans les corps de différentes personnes régulièrement.Le scientifique Sam Beckett se retrouve coincé dans le passé, où il "saute" dans les corps de différentes personnes régulièrement.Le scientifique Sam Beckett se retrouve coincé dans le passé, où il "saute" dans les corps de différentes personnes régulièrement.
- A remporté 6 prix Primetime Emmy
- 18 victoires et 43 nominations au total
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- AnecdotesIn the scenes where Sam Beckett is seeing someone else's reflection in the mirror these scenes are shot on a dual set using a clear glass mirror in which Scott Bakula would stand on one side and the actor or actress he'd leap into would stand on the other side.
- GaffesFor the "mirror reflections" in which Sam sees whom he leaps into, the series used a dual set with a clear glass in the "mirror". Scott Bakula would stand on one side, and the actor playing the person he leaped into on the other. Looking closely at the glass, Bakula's reflection can sometimes be seen, especially if the mirror is near a source of light like sunshine.
- Autres versionsAirings on the Comet digital channel have a recap of the previous episode at the top of some Season 2 shows, and restores Sam's end-of-episode leaps into a rerun, as originally aired, instead of the next scheduled first-run episode.
- ConnexionsFeatured in The Chronic Rift: Quantum Leap (1990)
- Bandes originalesPrologue (Saga Sell)
Written by Mike Post and Velton Ray Bunch
Performed by Velton Ray Bunch with Deborah Pratt (voice over)
Courtesy of Music Corp. of America (BMI)
Commentaire en vedette
I have to admit I may be a little biased as I've always had a soft spot for this programme. I recall watching the pilot when it was originally aired in the UK (1990 I think?) and remember, even then, being transfixed by the subsequent weekly 'leaps' of its main character, Dr. Sam Beckett.
I always thought it was more than just a Sci-fi/ comedic drama as, at times, it was incredibly insightful. The concept was completely innovative and didn't rely to heavily on expensive effects to convey the belief of time travel.
Sam's holographic sidekick Al Calavici (played by Dean Stockwell) provided an above average level of humour, making the viewer laugh out loud at issues which some would consider untouchable (his remark of 'bigot in a moo-moo' regarding one very ample character's racist comments being an example!)
There appeared to be no subject to dangerous to touch and that was what made the programme so engrossing. By examining key issues that could have affected anyone (sexual harassment, racism and teenage pregnancy to name a few), the viewer could not help but be drawn into a theoretical discussion as to the rights and wrongs of each subject.
I could go on but all I can add is that I highly recommend this T.V classic to newcomers as, once you've seen it, you will become as hooked as the millions of other devotees out there!
I always thought it was more than just a Sci-fi/ comedic drama as, at times, it was incredibly insightful. The concept was completely innovative and didn't rely to heavily on expensive effects to convey the belief of time travel.
Sam's holographic sidekick Al Calavici (played by Dean Stockwell) provided an above average level of humour, making the viewer laugh out loud at issues which some would consider untouchable (his remark of 'bigot in a moo-moo' regarding one very ample character's racist comments being an example!)
There appeared to be no subject to dangerous to touch and that was what made the programme so engrossing. By examining key issues that could have affected anyone (sexual harassment, racism and teenage pregnancy to name a few), the viewer could not help but be drawn into a theoretical discussion as to the rights and wrongs of each subject.
I could go on but all I can add is that I highly recommend this T.V classic to newcomers as, once you've seen it, you will become as hooked as the millions of other devotees out there!
- netty1968
- 16 mai 2006
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