Le cuisinier, le voleur, sa femme et son amant
Titre original : The Cook, the Thief, His Wife & Her Lover
La femme d'un criminel violent se console dans les bras d'un aimable client habitué au restaurant de son mari.La femme d'un criminel violent se console dans les bras d'un aimable client habitué au restaurant de son mari.La femme d'un criminel violent se console dans les bras d'un aimable client habitué au restaurant de son mari.
- Prix
- 7 victoires et 11 nominations au total
Ciarán Hinds
- Cory
- (as Ciaran Hinds)
Roger Ashton-Griffiths
- Turpin
- (as Roger Ashton Griffiths)
Histoire
Le saviez-vous
- AnecdotesThe four title characters were named for the actors and actress writer and director Peter Greenaway originally wanted to play them. Richard (The Cook) was for Richard Bohringer, the only one of Greenaway's original choices retained in the final movie. Albert (The Thief) was named after Albert Finney, while Georgina (His Wife) was for Georgina Hale. Michael (The Lover) was named, interestingly enough, for Sir Michael Gambon, who Greenaway eventually re-cast as Albert.
- GaffesWhen Albert (Michael Gambon) goes into the ladies' toilet and starts throwing women out of the cubicles, the second one has, as you would expect, her underwear around her knees. But her skirt rides right up, revealing that she is still wearing her underwear, and that the ones below are a prop.
- Générique farfeluClosing credits epilogue: "And a special thanks to those very many people who patiently & repeatedly performed as patients & nurses in the hospital ward, and as diners in the Hollandais Restaurant."
- Autres versionsAn edited, R-rated version is available on video.
Commentaire en vedette
The "inside story" of this film is color. Most professional reviewers, with nation-wide media exposure, missed this underlying story element entirely, as did I, until half way through my first viewing. Once I realized the colors of the costumes changed, as the characters passed from room to room, I had to go back and see it again. That's how I got hooked.
During the next viewing, I took note of the creativity and effort that went into the design and construction of the costumes, several times, as each one had to be rendered in several colors. The next time through, I noticed how the color of each room related to the activity that normally took place there, even in the outdoor sequences. With the subsequent viewing, I concentrated on the soundtrack.
From that point on, my awareness of all these elements, served to enhance my appreciation of each character and his or her contribution to the story line. That's when the much talked about "gross-out" aspects of the film seemed to diminish in their ability to shock. In fact, by that point, they seemed to fit much more naturally, although the "NC-17" rating is absolutely appropriate.
This is a sumptuous feast for the eyes and ears of intelligent "adult" viewers. Not to be missed.
During the next viewing, I took note of the creativity and effort that went into the design and construction of the costumes, several times, as each one had to be rendered in several colors. The next time through, I noticed how the color of each room related to the activity that normally took place there, even in the outdoor sequences. With the subsequent viewing, I concentrated on the soundtrack.
From that point on, my awareness of all these elements, served to enhance my appreciation of each character and his or her contribution to the story line. That's when the much talked about "gross-out" aspects of the film seemed to diminish in their ability to shock. In fact, by that point, they seemed to fit much more naturally, although the "NC-17" rating is absolutely appropriate.
This is a sumptuous feast for the eyes and ears of intelligent "adult" viewers. Not to be missed.
- Maurice_Rodney
- 4 mai 1999
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Cook, the Thief, His Wife & Her Lover
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 7 724 701 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 252 223 $ US
- 8 avr. 1990
- Brut – à l'échelle mondiale
- 8 526 030 $ US
- Durée2 heures 4 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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What is the streaming release date of Le cuisinier, le voleur, sa femme et son amant (1989) in Brazil?
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