Suite à une tragédie, John Ingram et sa femme Rae partent seuls en mer et y rencontrent un inconnu qui a quitté un navire en détresse.Suite à une tragédie, John Ingram et sa femme Rae partent seuls en mer et y rencontrent un inconnu qui a quitté un navire en détresse.Suite à une tragédie, John Ingram et sa femme Rae partent seuls en mer et y rencontrent un inconnu qui a quitté un navire en détresse.
- Prix
- 5 victoires et 6 nominations au total
John Simmit
- Dog Owner
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesBefore filming began, Nicole Kidman took lessons from the owner of the Storm Vogel on how to operate the ship. During the storm sequences near the end of the film, she is actually piloting the yacht.
- GaffesAt the end of the film, the suds from the shampoo in Rae's hair disappear.
- Citations
[assuming it's her husband that is washing her hair]
Rae Ingram: You know what I'd love for lunch? Fresh asparagus, then, um, pasta - angel hair pasta with heaps of basil, garlic, olive oil and, um, apple pie. Yeah. Uh, John, have you got a towel?
- Autres versionsOriginal prints of the film omitted the current ending (see Trivia).
- Bandes originalesWho Stole the Isopropyl Alcohol
Written & Performed by Tim O'Connor
Copyright © 1988 Kennedy Miller Productions Pty. Ltd.
Commentaire en vedette
I was most inspired to check this out knowing it was Nicole Kidman's breakthrough performance. Once you get into the movie it somehow feels like a cross between Event Horizon and, like, Titanic, but in the form of a 90's style thriller, which I suppose you have to give it a little extra credit for considering it's from 1989, so the vibe probably played a part in inspiring some of the vibe of 90's films.
Halfway through, I wasn't sure I was going to be a fan of this movie, but the last half hour hits in just the right ways to the extent that it makes the whole movie worthwhile. It's why thrillers are called thrillers - it's thrilling as hell. Up until those satisfying scenes, it just felt like an extremely formulaic experience - and Billy Zane is kind of a hard sell. Zane is, at least bizarre - as usual. His energy is always jarring but I feel like it's most jarring when it's not supposed to be, less so when it is. Kidman definitely steals the show but all three leads have strong enough presences to round the movie out well. I also enjoyed the somewhat zany music score - felt very Australian.
This is a quick, painless viewing so there's no point not to see it if you're interested in 80's/90's thrillers or curious to see where Kidman and Zane had their beginnings. Solid flick!
Halfway through, I wasn't sure I was going to be a fan of this movie, but the last half hour hits in just the right ways to the extent that it makes the whole movie worthwhile. It's why thrillers are called thrillers - it's thrilling as hell. Up until those satisfying scenes, it just felt like an extremely formulaic experience - and Billy Zane is kind of a hard sell. Zane is, at least bizarre - as usual. His energy is always jarring but I feel like it's most jarring when it's not supposed to be, less so when it is. Kidman definitely steals the show but all three leads have strong enough presences to round the movie out well. I also enjoyed the somewhat zany music score - felt very Australian.
This is a quick, painless viewing so there's no point not to see it if you're interested in 80's/90's thrillers or curious to see where Kidman and Zane had their beginnings. Solid flick!
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- 23 mars 2021
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Détails
Box-office
- Budget
- 10 400 000 $ US (estimation)
- Brut – États-Unis et Canada
- 7 825 009 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 463 551 $ US
- 9 avr. 1989
- Brut – à l'échelle mondiale
- 7 825 135 $ US
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