Malgré les ordres de MI6, James Bond se rebelle et cherche à se venger du baron de la drogue, qui a laissé pour mort son meilleur ami, après avoir assassiné sa femme, alors qu'il tentait de ... Tout lireMalgré les ordres de MI6, James Bond se rebelle et cherche à se venger du baron de la drogue, qui a laissé pour mort son meilleur ami, après avoir assassiné sa femme, alors qu'il tentait de démasquer un réseau de drogue.Malgré les ordres de MI6, James Bond se rebelle et cherche à se venger du baron de la drogue, qui a laissé pour mort son meilleur ami, après avoir assassiné sa femme, alors qu'il tentait de démasquer un réseau de drogue.
- Prix
- 1 nomination au total
- President Hector Lopez
- (as Pedro Armendariz)
Histoire
Le saviez-vous
- AnecdotesTimothy Dalton stated in an interview about why his Bond was a much darker, grittier incarnation. It was because he wanted to go back to the Ian Fleming novels, and capture the essence and the spirit of the character Ian Fleming created.
- GaffesWhen the air hose on a truck's braking system is severed, the brakes lock on, they do not release as shown.
- Citations
[Sanchez is about to kill James]
Franz Sanchez: You could have had everything.
James Bond: Don't you want to know why?
[Shows Sanchez Felix's lighter, then sets Sanchez on fire]
- Générique farfeluThe Surgeon General's warning appears at the end credits, due to the characters' use of tobacco products.
- Autres versionsOn pan and scan VHS prints issued since 1990, the opening title credits have been slightly altered to fit the screen. Some credits that took one line in the widescreen version were altered to fit two lines in the pan and scan version.
- ConnexionsEdited into Folgers Coffee 'Licence to Kill' Television Commercial (1989)
Don't make any mistakes this is not a Bond film that would be broadcast during a Bank Holiday afternoon. What we have here is a film that is graphically violent. Check out the head explosion scene or the nasty incidents involving sharks. Having Bond on the revenge path makes for a more interesting tale than just another villain trying to take over the world. The more personal element fits in with this more darker Bond. Dalton really rises to the occasion here and ensures that he will be remembered as a fine actor who played the part of James Bond. The ice cool look of anger as he dumps a bad guy into a shark tank with a case fool of money is fantastic as is his reaction to finding Lieter's dead wife. It may not be said, buy OHMSS is being referenced. Helping Dalton along the way is a great support cast. Robert Davi is superb as Franz Sanchez, without doubt the nastiest Bond villain there has ever been. We have two Bond girls too. Talisa Soto is beautifully sultry, but Carey Lowell just pips her to the post as Pam Bouvier who really gives Bond a run for his money. Another great casting point is an increased role for Q. Desmond Lewellyn appears here more than he ever has done before, helping out in the mission that makes one wonder the Bond writers never thought of it before, or why they never did it after.
Licence To Kill is classic Bond. Purists may give of with the more American touch to the narrative (you just know that any theatrical trailer is crying out for voice over man to go "this time it's personal"), but the more darker narrative suits the film and it shows that Dalton was a good Bond no matter what his critics say. With some of the most spectacular action sequences at the time, this is a genuine Bond classic.
Shaken and stirred most definitely.
- eamon-hennedy
- 27 oct. 2003
- Lien permanent
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Licence to Kill
- Lieux de tournage
- Ernest Hemingway Museum - 907 Whitehead Street, Key West, Florida Keys, Floride, États-Unis(M revokes Bond's licence to kill)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 32 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 34 667 015 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 774 776 $ US
- 16 juill. 1989
- Brut – à l'échelle mondiale
- 156 167 015 $ US
- Durée2 heures 13 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1