Un jeune homme reçoit un coup de téléphone fortuit qui lui annonce qu'une guerre nucléaire a éclaté et que des missiles vont frapper sa ville dans 70 minutes.Un jeune homme reçoit un coup de téléphone fortuit qui lui annonce qu'une guerre nucléaire a éclaté et que des missiles vont frapper sa ville dans 70 minutes.Un jeune homme reçoit un coup de téléphone fortuit qui lui annonce qu'une guerre nucléaire a éclaté et que des missiles vont frapper sa ville dans 70 minutes.
- Prix
- 2 victoires et 5 nominations au total
Mykelti Williamson
- Wilson
- (as Mykel T. Williamson)
Kelly Jo Minter
- Charlotta
- (as Kelly Minter)
Robert DoQui
- Fred the Cook
- (as Robert Doqui)
José Mercado
- Bus Boy from Diner
- (as Jose Mercado)
Histoire
Le saviez-vous
- AnecdotesThe punch line to the unfinished joke the loudmouth at the bar was telling (It's the mailman's last day on the job, he goes to a woman's house and she invites him in, makes love to him, makes him a wonderful breakfast and then gives him 5 dollars) is: Mailman: What was that for? Woman: Well I asked my husband what to do for you on your last day and he said, "Screw him, give him 5 dollars." The breakfast was my idea!
- GaffesOn the phone booth call, Chip told Harry the code to nuclear war. He said the code was "Thor Arthur 66ZZD." In the diner when Landa asked Harry to repeat the conversation, he said the code was, "Thor Arthur 66"DD"Z".
- Citations
Julie Peters: People are gonna help each other, aren't they? Rebuilding things?
Harry Washello: I think it's the insects's turn.
- Générique farfeluDedicated to Doctor Biobrain
- Autres versionsA little-seen preview version of the film included a special effect of two diamonds hovering after the nuclear explosion, just preceding the end credits. In the theatrical version and subsequent DVD release from MGM, the diamonds do not appear following the nuclear blast, rather the credits simply roll.
Commentaire en vedette
I first saw this movie on video around the time it was produced. I immediately liked it even though it was a bit bleak. But the late 80's were full of apocalyptic nuclear holocaust movies and this was the only one that stayed with me. Now, years later, I've just rewatched it (this time on DVD) and I still think it's a very good -- but not great -- movie.
Admittedly, there's some over-the-top 80's haircuts and costumes, stuff that would be seriously 'retro' nowadays. And the acting, particularly in the beginning, is 'obvious' and a bit tiring. But when the hero receives that fateful phone call, it all changes. Suddenly, it's like watching a stage-performance of a play, a pressure-cooker where everyone suspects everyone else and no one knows what's really going on.
In fact, one of the best parts of the screenplay is that we, the audience, also don't really know what to believe (until the very end). We watch the hero struggle with what to tell people who's help he needs: if he tells them the awful truth, they may not believe/help him; if he tells them a more believable lie, is he denying them the chance to survive or at least to die with their loved ones. Either way, both he and the people he meets turn to progressively more and more extreme behavior -- people die! . . . and what if it all turns-out to have been a hoax?
In all, I think this movie ranks as a great sci-fi film, and in the truest sense of the genre: What If. It's not about aliens or galactic empires or anything else that's more fantasy than reality. Instead, it's a situation that any of us could easily imagine and I think this is why it stayed with me all these years, why it now forms a part of the framework for my imagination whenever I find myself catastrophizing about terrorism or natural disaster, anything that could separate me from the ones I love. What would I do?
Admittedly, there's some over-the-top 80's haircuts and costumes, stuff that would be seriously 'retro' nowadays. And the acting, particularly in the beginning, is 'obvious' and a bit tiring. But when the hero receives that fateful phone call, it all changes. Suddenly, it's like watching a stage-performance of a play, a pressure-cooker where everyone suspects everyone else and no one knows what's really going on.
In fact, one of the best parts of the screenplay is that we, the audience, also don't really know what to believe (until the very end). We watch the hero struggle with what to tell people who's help he needs: if he tells them the awful truth, they may not believe/help him; if he tells them a more believable lie, is he denying them the chance to survive or at least to die with their loved ones. Either way, both he and the people he meets turn to progressively more and more extreme behavior -- people die! . . . and what if it all turns-out to have been a hoax?
In all, I think this movie ranks as a great sci-fi film, and in the truest sense of the genre: What If. It's not about aliens or galactic empires or anything else that's more fantasy than reality. Instead, it's a situation that any of us could easily imagine and I think this is why it stayed with me all these years, why it now forms a part of the framework for my imagination whenever I find myself catastrophizing about terrorism or natural disaster, anything that could separate me from the ones I love. What would I do?
- sdsalsero
- 2 avr. 2004
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- How long is Miracle Mile?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Die Nacht der Entscheidung
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 700 000 $ US (estimation)
- Brut – États-Unis et Canada
- 1 145 404 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 341 401 $ US
- 21 mai 1989
- Brut – à l'échelle mondiale
- 1 145 578 $ US
- Durée1 heure 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Miracle Mile (1988) officially released in India in English?
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