John McClane tente d'éviter le désastre alors que des agents secrets militaires dévoyés prennent controle de l'Aéroport International de Dulles à Washington, D.C.John McClane tente d'éviter le désastre alors que des agents secrets militaires dévoyés prennent controle de l'Aéroport International de Dulles à Washington, D.C.John McClane tente d'éviter le désastre alors que des agents secrets militaires dévoyés prennent controle de l'Aéroport International de Dulles à Washington, D.C.
- Prix
- 1 victoire et 1 nomination au total
Fred Thompson
- Trudeau
- (as Fred Dalton Thompson)
Mick Cunningham
- Sheldon
- (as Michael Cunningham)
Histoire
Le saviez-vous
- AnecdotesIn the first Piège de cristal (1988), John McClane only had a few scripted one-liners. However, Bruce Willis ad-libbed many one-liners, and audiences liked them. So much so that in this sequel (and the next one), more gags were added, and Willis was told he could ad-lib as much as he saw fit.
- GaffesAirport runways do not have manholes. Additionally, any manhole cover which could be lifted by one person would easily be crushed by a plane.
- Citations
Grant: You're the wrong guy in the wrong place at the wrong time.
John McClane: Story of my life.
- Autres versionsTV Versions, including that shown on the WB Network, edit out much of the violence and much of the profane dialogue is redubbed. Willis's redubbing is quite obvious because the new voice sounds nothing like Willis. Despite the overt dubbing of Willis's dialogue by a sound-alike actor (who really doesn't sound like Willis, for that matter), this version also utilizes dialogue from other characters to replace John McClane's. As John is leaving the elevator through the roof, he tells Samantha to "Fuck off." In this TV version, the word "fuck" is dubbed over with William Sadler saying "joke" from earlier in the film.
- ConnexionsFeatured in Late Night with David Letterman: Episode dated 8 June 1990 (1990)
- Bandes originalesOld Cape Cod
Written by Claire Rothrock, Milt Yakus and Allan Jeffrey
Performed by Patti Page
Courtesy of Polygram Special Projects
a division of Polygram Records, Inc.
Commentaire en vedette
John McClane is in Washington to meet his wife as she arrives at the airport. However as he waits for her plane to come in terrorists seize control of the control equipment and keep the planes circling. They plan to rescue captured dictator General Esperanza by landing his plane at the airport and making their escape. However as the terrorists wait the circling planes get shorter and shorter on fuel, leading John McClane to take what action he can to regain control of the planes.
This second of the exciting die hard series has a hard act to follow. The first film was amazing and broke the mould relating to action films, it showed that action could occur in everyday locations, caused English actors to get lots of work as bad guys and set many other copycat films in motion (die hard on a mountain, die hard on a bus etc). However this is nothing special. The plot tries to be similar to the original but it lacks as much originality as the first. The terrorist plot is not quite as likely and it doesn't have the same flow as the first. Story-wise the main flaw is in McClane's involvement - in the first film he was very much trapped and forced to take action, in fact his first instinct was to run away from the terrorists. Here the same is not true, Willis tries to make it seem that he doesn't want all this again ("how can the same **** happen to the same guy") but really he throws himself into the thick of the battle. This takes away from the image of him as an ordinary guy put into a difficult situation.
The action scenes don't help this problem. Yes all the action scenes are good and exciting, but many of them are too big. In the first the action occurred in short standoffs, usually with McClane running away or sneaking around. Here there's too many of one man v's the world style action with Willis running in against a large number of terrorists and winning. Again this takes away from the tension and claustrophobia of the other film and makes it feel like a Arnie blockbuster. That said the action is still good and won't disappoint action fans.
The main failing of the film is that it tries to be like the first film without success. It retains the same set-up (McClane trying to rescue his wife from terrorists), brings back the same Christmas time setting and music, it even wheels back in as many repeat characters as it can (Veljohnson as Sergeant Powell, Atherton as Thornburg) but it loses the most important item - the set parameters of the action. Die Hard was great because it had very tightly set locations for it's action in the office block. Here the action can spread out all over so a lot of the tension and claustrophobia is lost. The decision to make the second film so similar to the first can only lead us to comparing the two and seeing the inferiorities.
The performances are quite good generally. Willis can almost do this type of thing in his sleep while the other repeat characters simply redo their roles. Unfortunately many of the repeat characters don't have much to do and seem out of place. The 'new' characters fill the stereotyped shoes of previous actors. Dennis Franz takes on the mantle of incompetent cop standing in McClane's way by going by the book, Sheila McCarthy takes on the story hungry journalist role etc. The bad guys do have a lot to live up to by replacing Alan Rickman and they don't quite reach that standard. William Sadler is good as Colonel Stuart but doesn't have any style of his own, anyway it's good to see Franco Nero (cult star of western Django) in an American film.
The film has some nice twists towards the end but it just doesn't come close to the atmosphere of the first film. By trying to be similar to the first film, Renny Harlin shows that he's not as capable as McTiernan in creating a mood of tension mixed with the action. The result is a great action movie but one that cowers in the shadow of it's better bigger brother.
This second of the exciting die hard series has a hard act to follow. The first film was amazing and broke the mould relating to action films, it showed that action could occur in everyday locations, caused English actors to get lots of work as bad guys and set many other copycat films in motion (die hard on a mountain, die hard on a bus etc). However this is nothing special. The plot tries to be similar to the original but it lacks as much originality as the first. The terrorist plot is not quite as likely and it doesn't have the same flow as the first. Story-wise the main flaw is in McClane's involvement - in the first film he was very much trapped and forced to take action, in fact his first instinct was to run away from the terrorists. Here the same is not true, Willis tries to make it seem that he doesn't want all this again ("how can the same **** happen to the same guy") but really he throws himself into the thick of the battle. This takes away from the image of him as an ordinary guy put into a difficult situation.
The action scenes don't help this problem. Yes all the action scenes are good and exciting, but many of them are too big. In the first the action occurred in short standoffs, usually with McClane running away or sneaking around. Here there's too many of one man v's the world style action with Willis running in against a large number of terrorists and winning. Again this takes away from the tension and claustrophobia of the other film and makes it feel like a Arnie blockbuster. That said the action is still good and won't disappoint action fans.
The main failing of the film is that it tries to be like the first film without success. It retains the same set-up (McClane trying to rescue his wife from terrorists), brings back the same Christmas time setting and music, it even wheels back in as many repeat characters as it can (Veljohnson as Sergeant Powell, Atherton as Thornburg) but it loses the most important item - the set parameters of the action. Die Hard was great because it had very tightly set locations for it's action in the office block. Here the action can spread out all over so a lot of the tension and claustrophobia is lost. The decision to make the second film so similar to the first can only lead us to comparing the two and seeing the inferiorities.
The performances are quite good generally. Willis can almost do this type of thing in his sleep while the other repeat characters simply redo their roles. Unfortunately many of the repeat characters don't have much to do and seem out of place. The 'new' characters fill the stereotyped shoes of previous actors. Dennis Franz takes on the mantle of incompetent cop standing in McClane's way by going by the book, Sheila McCarthy takes on the story hungry journalist role etc. The bad guys do have a lot to live up to by replacing Alan Rickman and they don't quite reach that standard. William Sadler is good as Colonel Stuart but doesn't have any style of his own, anyway it's good to see Franco Nero (cult star of western Django) in an American film.
The film has some nice twists towards the end but it just doesn't come close to the atmosphere of the first film. By trying to be similar to the first film, Renny Harlin shows that he's not as capable as McTiernan in creating a mood of tension mixed with the action. The result is a great action movie but one that cowers in the shadow of it's better bigger brother.
- bob the moo
- 27 nov. 2001
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- How long is Die Hard 2?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Cinquante-huit minutes pour vivre
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 117 540 947 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 21 744 661 $ US
- 8 juill. 1990
- Brut – à l'échelle mondiale
- 240 031 274 $ US
- Durée2 heures 4 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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