ÉVALUATION IMDb
6,8/10
4,1 k
MA NOTE
Eugène, un jeune adolescent juif, se souvient de son adolescence. Il traverse les épreuves de la puberté, des fantasmes sexuels et vit la vie d'un pauvre garçon dans une maison bondée.Eugène, un jeune adolescent juif, se souvient de son adolescence. Il traverse les épreuves de la puberté, des fantasmes sexuels et vit la vie d'un pauvre garçon dans une maison bondée.Eugène, un jeune adolescent juif, se souvient de son adolescence. Il traverse les épreuves de la puberté, des fantasmes sexuels et vit la vie d'un pauvre garçon dans une maison bondée.
- Réalisation
- Scénariste
- Vedettes
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Avis en vedette
I have seen the Golden Palace of the Himalayas. Puberty is over! Onward and upward!
Brighton Beach Memoirs is directed by Gene Saks and adapted to the screen from his own play by Neil Simon. It stars Jonathan Silverman, Blythe Danner, Judith Ivey, Bob Dishy, Stacey Glick, Lisa Waltz and Brian Dillinger. Music is by Michael Small and cinematography by John Bailey.
This is the first of what would become a trilogy of films detailing the adventures and learnings of Neil Simon's life trajectory. His alias in the three productions comes in the guise of Eugene Morris Jerome, here played by Silverman, and by Matthew Broderick in Biloxi Blues (1988) and Corey Parker in Broadway Bound (1992). This is set in 1937 Brooklyn, New York, and finds Eugene, a Polish-Jewish American youngster experiencing sexual awakening in a family home packed to the rafters.
Having never seen a Neil Simon play before I have no frame of reference, either here or with Biloxi Blues, the latter of which is a personal favourite. So taking it on its filmic terms only, it delivers much of the requisite razor sharp humour that was a trait of the hugely talented writer. The young version of Eugene here has sporting dreams as well as that of being a professional writer, his literary bent evident in his vocal discourse with his family and us on the fourth wall. He's the family gofer, a slave to his adoring but firm handed mother, as if battling the on-set of puberty wasn't taxing enough!
Though primarily humourous in narrative drive, the serious side of family values is always a strong current within. Gambling addiction also features, so to does vivid sibling rivalry later in life, while the dangling thread of Polish family members trying to exit their homeland for a better life in New York strikes a poignant chord. I can't vouch for accents or adherence to natural race standards, but the sense of the period and areas (real location filming of course) is impressive - the cast uniformly tight to the material's various themes.
Obviously not for everyone, but for those not bothered by closeness to the play, and those who love the sort of zingy dialogue found in other Simon film adaptations, then this hits the spot for sure. 8/10
This is the first of what would become a trilogy of films detailing the adventures and learnings of Neil Simon's life trajectory. His alias in the three productions comes in the guise of Eugene Morris Jerome, here played by Silverman, and by Matthew Broderick in Biloxi Blues (1988) and Corey Parker in Broadway Bound (1992). This is set in 1937 Brooklyn, New York, and finds Eugene, a Polish-Jewish American youngster experiencing sexual awakening in a family home packed to the rafters.
Having never seen a Neil Simon play before I have no frame of reference, either here or with Biloxi Blues, the latter of which is a personal favourite. So taking it on its filmic terms only, it delivers much of the requisite razor sharp humour that was a trait of the hugely talented writer. The young version of Eugene here has sporting dreams as well as that of being a professional writer, his literary bent evident in his vocal discourse with his family and us on the fourth wall. He's the family gofer, a slave to his adoring but firm handed mother, as if battling the on-set of puberty wasn't taxing enough!
Though primarily humourous in narrative drive, the serious side of family values is always a strong current within. Gambling addiction also features, so to does vivid sibling rivalry later in life, while the dangling thread of Polish family members trying to exit their homeland for a better life in New York strikes a poignant chord. I can't vouch for accents or adherence to natural race standards, but the sense of the period and areas (real location filming of course) is impressive - the cast uniformly tight to the material's various themes.
Obviously not for everyone, but for those not bothered by closeness to the play, and those who love the sort of zingy dialogue found in other Simon film adaptations, then this hits the spot for sure. 8/10
I love this movie!
One of my favorite movies. Great cast, lead by Jonathan Silverman and Blythe Danner. Serious drama situations with brilliant comedic punches. An exact mixture of character and story. Real people with real problems, and everyone has a different relationship with each family member. Sensitively moves from slightly-sad to hilariously-funny. Read the quotes. This is the best adaptation of a Neil Simon play.
If you wanna see more of Eugene check Biloxi Blues (starring Matthew Broderick who played in both stage versions) is OK, a bit on a darker side. Get away from the made-for-TV Broadway Bound.
If you wanna see more of Eugene check Biloxi Blues (starring Matthew Broderick who played in both stage versions) is OK, a bit on a darker side. Get away from the made-for-TV Broadway Bound.
Who's gonna get blamed for the war in europe?
Brilliant! Eugene is just like any 15 year old boy. Silverman comes out with some very funny lines with his mother : 'Theres a bone in my throat' 'THERE ARE NO BONES IN LOVER!' And when they are sat at the table at dinner Voice over-'The tension was so tense i would of cut my wrists but the liver had blunted the knifes'
So if you haven't seen this film go and see right now.
Go and search for and see the golden palace in the himalayes!
So if you haven't seen this film go and see right now.
Go and search for and see the golden palace in the himalayes!
One Of My Top Five Comedies
One of my top five comedies ever. You'll appreciate it more if your a guy who came of age in the 1930's-60's. I identify so much with this movie, especially the bathroom scene, when Eugene's 15 year old cousin Nora accidentally walks in on him while he's "on the crapper." This actually happened to me when I was 10, and let me tell you there is no worse horror for a boy at that age. Eugene worries that his life was over, as I did. I also remember my first time seeing a picture of a naked woman. A very tame pose by today's standards, but like Eugene, there was a sense of relief that the quest was finally over. No more was it just the occasional breast shot, I too had seen "The Golden Palace of the Himalayas." Jonathan Silverman's running narration is hilarious and really makes the movie for me. Well worth the investment time-wise, IMO.
Excellent Movie About Growing up and Family Values
The viewer who said he was disappointed seems to be wildly missing the point here. This is a superb movie, excellent and realistic portrayals of a middle class Jewish family in Brighton Beach, Brooklyn, of long ago. The nuances are perfect and I felt the casting of everyone was superior. I especially found the acting done by Judith Ivey just perfection---especially the speech she has with her daughter when the daughter comes home late one night. That scene was Oscar worthy. But, really, all the acting was fine. I recommend this movie. It is a fun, family film and delightful to see how a lovely middle class family lived in Brooklyn so long ago. See it and you will be glad you did. Has some very funny lines and the Eugene character is a real comedian--very funny.
Le saviez-vous
- AnecdotesThe original Broadway play opened in 1983 and ran for more than three years and 1,299 performances. The 2009 revival was a huge flop and ran for only nine performances.
- GaffesWhen Eugene runs out of his house at night to catch up to Stanley at the Subway Station, he jumps over some cables laid out in the middle of the street. Cables used to power the lights for the scene.
- ConnexionsFeatured in Siskel & Ebert & the Movies: Platoon/Lady and the Tramp/No Mercy (1986)
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- How long is Brighton Beach Memoirs?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Neil Simon's Brighton Beach Memoirs
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 11 957 943 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 580 750 $ US
- 28 déc. 1986
- Brut – à l'échelle mondiale
- 11 957 943 $ US
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