In Peking Opera Blues, director Tsui Hark takes us back to 1913 China: daughter of the general Tsao-Wan [Lin Ching Hsia] is torn between the love for her father, who plans to secure a loan from the Europeans in order to aid president Yuan, and the support for a rebellious group, who see in Yuan's leadership a peril for the republic and therefore plan to unmask him by stealing the loan papers and handing them to the congress.
The movie follows the deeds of three women, different by social class (one is daughter of the general, another one a greedy street musician whose goal is to get rich and leave China, the third one a theatre performer - or, more precisely, an aspiring theatre performer, as acting at the time was only allowed to men) and, yet, put together by Fate. As the three eventually join forces, we get to see a lot of colorful Peking Opera performing, as well as amusing and endearing situations. The movie, indeed, deals with the problems of mutual trust and loyalty, especially in those situations when the ideals come to clash against the personal ambitions.
The only aspect of the movie I was a bit put off by is the ease with which the group is always able to escape the most dangerous situations. Even the hardest-to-die Bruce Willis would have been puzzled on how to leave the mansion... and Spiderman himself would need more than one try to leap successfully from a mansion to the top of a tower! Apart from this, Peking Opera Blues is a beautiful movie, more over enriched by a gripping soundtrack, dazzling theatre choreography and, most of all, an intense story that is sure to make you smile with joy at some moments and shiver with terror in other circumstances. 8/10
