Une femme vit une histoire exclusivement charnelle avec un homme dont elle connaît à peine la vie, seulement le goût pour les jeux sexuels. Leur relation va vite se compliquer.Une femme vit une histoire exclusivement charnelle avec un homme dont elle connaît à peine la vie, seulement le goût pour les jeux sexuels. Leur relation va vite se compliquer.Une femme vit une histoire exclusivement charnelle avec un homme dont elle connaît à peine la vie, seulement le goût pour les jeux sexuels. Leur relation va vite se compliquer.
- Prix
- 4 nominations au total
Histoire
Le saviez-vous
- AnecdotesDirector Adrian Lyne used emotionally manipulative tactics on Kim Basinger during the shooting to elicit the performance he wanted from the somewhat new actress, which Basinger later criticized harshly. For example, Lyne did not allow Mickey Rourke and Basinger to talk to each other off-set. The two were kept isolated from each other and Lyne would tell Basinger rumors about how Rourke intended to make her like or dislike him so that she would carry that attitude into the scene. Lyne would also offer Rourke performance notes, but Basinger none, in order to unnerve her. In a very unusual and expensive move along these lines, Lyne shot the film sequentially, so that Basinger's actual emotional breakdown over time would be effectively translated to the screen.
- GaffesWhen John turns on his stereo to play Joe Cocker's "You Can Keep Your Hat On" for Elizabeth's striptease, the speaker switch on the power amplifier is in the off position.
- Autres versions117 minute uncut and unrated European version is available on DVD.
- ConnexionsEdited into Die Geschichte des erotischen Films (2004)
- Bandes originalesThe Best Is Yet To Come
Performed by Luba
Written by Graham Lyle and Terry Britten
Courtesy of Capitol Records, Inc.
Produced by Narada Michael Walden for Perfection Light Productions
Commentaire en vedette
This memorable sexual drama is an adaptation of a novel by Elizabeth McNeill. Kim Basinger stars as a character named Elizabeth, a divorced art gallery worker. One day, she chances to meet John (Mickey Rourke), a charming young Wall Street financier. She finds out that he likes to play sexual games, and realizes that she's vulnerable to his manipulations. Ultimately, she finds this strange relationship taking dominance in her life.
"Nine 1/2 Weeks" is a largely two character film that is not degrading or "pornographic" as some people might have you believe. It's actually rather restrained, and even in its full length uncut version is never overly concerned with nudity or depravity. This may come as a disappointment to some potential viewers, but most of the time it's concentrating on detailing the evolution of this sex-based relationship.
Unfortunately, we never get to know our two principals all that well. But since she has more to work with, Basinger definitely comes off better. Rourkes' character forever remains an enigma. Also, for a film running close to two hours, it doesn't seem to have all that much story going for it.
The sex scenes will stick in the mind, even if most of them aren't particularly imaginative. The exception is the notorious "food" sequence, which was later parodied in "Hot Shots!". But the choice of song in the sequence kind of kills the mood.
Basinger looks positively ravishing throughout - the camera loves her - and she delivers an appealing performance. Familiar faces turn up - Margaret Whitton, David Margulies, Christine Baranski, Karen Young, Julian Beck, Dan Lauria, Ron Wood of The Rolling Stones, etc. - but the supporting cast has little to do in the grand scheme of things.
Fairly interesting but not all that successful, this marked a stepping stone for former actor Zalman King (who co-wrote and co-produced); he went on to a prominent career as a soft core auteur.
Six out of 10.
"Nine 1/2 Weeks" is a largely two character film that is not degrading or "pornographic" as some people might have you believe. It's actually rather restrained, and even in its full length uncut version is never overly concerned with nudity or depravity. This may come as a disappointment to some potential viewers, but most of the time it's concentrating on detailing the evolution of this sex-based relationship.
Unfortunately, we never get to know our two principals all that well. But since she has more to work with, Basinger definitely comes off better. Rourkes' character forever remains an enigma. Also, for a film running close to two hours, it doesn't seem to have all that much story going for it.
The sex scenes will stick in the mind, even if most of them aren't particularly imaginative. The exception is the notorious "food" sequence, which was later parodied in "Hot Shots!". But the choice of song in the sequence kind of kills the mood.
Basinger looks positively ravishing throughout - the camera loves her - and she delivers an appealing performance. Familiar faces turn up - Margaret Whitton, David Margulies, Christine Baranski, Karen Young, Julian Beck, Dan Lauria, Ron Wood of The Rolling Stones, etc. - but the supporting cast has little to do in the grand scheme of things.
Fairly interesting but not all that successful, this marked a stepping stone for former actor Zalman King (who co-wrote and co-produced); he went on to a prominent career as a soft core auteur.
Six out of 10.
- Hey_Sweden
- 8 déc. 2015
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- 9 1/2 semaines
- Lieux de tournage
- 101 Spring Street, Ville de New York, New York, États-Unis("Spring Street Gallery")
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 17 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 6 735 922 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 328 804 $ US
- 23 févr. 1986
- Brut – à l'échelle mondiale
- 6 740 470 $ US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of Neuf semaines et demie (1986) in Canada?
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