ÉVALUATION IMDb
7,9/10
9,5 k
MA NOTE
Un syndicaliste arrive dans une communauté minière assiégée brutalement et violemment dominée.Un syndicaliste arrive dans une communauté minière assiégée brutalement et violemment dominée.Un syndicaliste arrive dans une communauté minière assiégée brutalement et violemment dominée.
- Nommé pour 1 oscar
- 3 victoires et 8 nominations au total
Michael B. Preston
- Ellix
- (as Michael Preston)
Histoire
Le saviez-vous
- AnecdotesDebut feature film of actor Chris Cooper.
- GaffesLook for the sheriff to remove a gun from someone's hand (by holding the gun by the barrel) after it's been fired four or five times.
- Citations
Joe Kenehan: You think this man is the enemy? Huh? This is a worker! Any union keeps this man out ain't a union, it's a goddam club! They got you fightin' white against colored, native against foreign, hollow against hollow, when you know there ain't but two sides in this world - them that work and them that don't. You work, they don't. That's all you get to know about the enemy.
Commentaire en vedette
This 1987 film aims to document real events that concerned a small coal mining community (called Matewan) in West Virginia in 1920. The miners are trying to organize a union, much to the dismay of the company that employs them. All of the acting is great, including, in the starring role, Chris Cooper, (the Kansas City native who was the abusive father from American Beauty and who starred in another fantastic Sayles film from 1996, Lonestar), David Strathairn as the good-natured but stern police chief, and, in his only theatrical movie role ever (here at 14 years old), indie-folk legend Will Oldham, of Palace Music and Bonnie Prince Billie fame. He plays a preacher-in-training in the film, and does such a great job that it seems damn unfortunate for all of us that he didn't continue his acting career--though he would go on to make some great music, and continues to currently. It also features James Earl Jones, aka Darth Vader.
Anyway, the film is very honest, subtle and exquisite. You don't feel, as you do with many films churned out by Hollywood, that things have been altered and embellished for the sake of making it interesting--it's very natural, and it seems very real. You're confidant that Sayles is giving you the truth here, as best he can, through his visual style, restrained, natural dialogue and engaging historic atmosphere.
It's movies like this that renew my faith in period pieces. Important historical films at their best are able to capture a period and bring the audience as close as possible to experiencing the 'feel' of that time--I guess that kinda goes without saying though.
Anyway, the film is very honest, subtle and exquisite. You don't feel, as you do with many films churned out by Hollywood, that things have been altered and embellished for the sake of making it interesting--it's very natural, and it seems very real. You're confidant that Sayles is giving you the truth here, as best he can, through his visual style, restrained, natural dialogue and engaging historic atmosphere.
It's movies like this that renew my faith in period pieces. Important historical films at their best are able to capture a period and bring the audience as close as possible to experiencing the 'feel' of that time--I guess that kinda goes without saying though.
- babygeniusesvseightcrazynights
- 27 déc. 2004
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Matewan?Propulsé par Alexa
Détails
Box-office
- Budget
- 4 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 1 680 358 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 23 850 $ US
- 30 août 1987
- Brut – à l'échelle mondiale
- 1 680 358 $ US
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant