Dans un Détroit dystopique, détruit par le crime, un policier entre la vie et la mort revient dans la police sous la forme d'un puissant cyborg hanté par des souvenirs enfouis.Dans un Détroit dystopique, détruit par le crime, un policier entre la vie et la mort revient dans la police sous la forme d'un puissant cyborg hanté par des souvenirs enfouis.Dans un Détroit dystopique, détruit par le crime, un policier entre la vie et la mort revient dans la police sous la forme d'un puissant cyborg hanté par des souvenirs enfouis.
- Nommé pour 2 oscars
- 11 victoires et 13 nominations au total
Dan O'Herlihy
- The Old Man
- (as Daniel O'Herlihy)
Jesse D. Goins
- Joe Cox
- (as Jesse Goins)
Lee de Broux
- Sal
- (as Lee DeBroux)
Histoire
Le saviez-vous
- AnecdotesMost shots of RoboCop and the police car show him getting out or preparing to get in. Peter Weller didn't fit into the police car in full costume. When he needed to be in the car, he wore the top part of the costume and sat in his underwear. To maintain the illusion that RoboCop wears the entire suit while inside a car, most shots show his robotic feet exiting first.
- GaffesWhen RoboCop goes to the grocery store robbery and sends the robber through the glass door of the small refrigerator, you can see that the glass is already cracked and starts to break before the man goes through it.
- Citations
Bixby Snyder: I'd buy that for a dollar!
- Générique farfeluThe standard copyright notice at the end of the film includes a warning that "This motion picture is protected under the laws of the United States and other countries and its unauthorized duplication, distribution or exhibition may result in civil liability and criminal prosecution by enforcement droids."
- Autres versionsIn 1995, The Criterion Collection premiered the 'unrated' edition of RoboCop on LaserDisc. The 1987 theatrical release was cut in several scenes to attain an R-rating, and this unrated version restored that footage. The unrated version has subsequently been used for many of the film's DVD and Blu-Ray releases.
- The first cuts appear in the scene where ED-209 goes berserk and shoots Kinney during the meeting. In the director's cut there is another frontal shot of Kinney getting riddled with bullets at the start of the scene. When Kinney collapses onto the model of Delta City, there are extra shots of him being bloodily hit with more bullets, as well as the ED-209 technicians struggling to rip wiring out of the circuit board. Restoring this footage makes the scene much more darkly comical.
- During the car chase, when Clarence's henchman Bobby is shot in the leg, the R-rated version shows a long shot, while the unrated has a gruesome close-up of Bobby's leg being shot.
- Murphy's death is almost a minute longer in the unrated version. After his hand is blown off, Murphy looks in horror at the stump, before Clarence's gang blows off his entire arm with gunfire. The subsequent part with him being riddled with bullets is much longer as well. An elaborate tracking shot is used only in the unrated that shows the back of Murphy's head exploding into the camera when he is finally shot by Clarence. This shot made use of a fully-mechanical prosthetic Murphy built by make-up special effect artist Rob Bottin. The overhead shot of Lewis kneeling beside Murphy's body at the end of the scene is also exclusive to the unrated version.
- Clarence Boddicker's death is shown in different shots depending on the version. The R-rated shows a long shot of him staggering away immediately after being stabbed, while the unrated shows a tight close-up.
- ConnexionsEdited into Zeiramu (1991)
- Bandes originalesShow Me Your Spine
Music by P.T.P.
Commentaire en vedette
When I look at the modern day West, and the 2008 financial crisis, I often see parallels with images from RoboCop: protests, mind-numbing commercials, crime as the result of huge poverty, profit as the main goal of life, no matter at what (or whose) expense. There is not one OCP today, but dozens of OCPs, huge modern mega-corporations that influence every aspect of the society and drain it of its wealth. Just like in RoboCop, the middle class is almost gone and we only have the poor and the rich.
RoboCop started out as a pure B-movie, but unlike Cyborg (1989) or The Six Million Dolar Man (1974), it kept its relevance, satire and sharpness precisely because it is so close to today that it hurts. Even as a kid, I somehow got that one of the messages of the film was how the power was slowly shifting from the government to the OCP. Let's be fair, though, Verhoeven sometimes directs a scene in a heavy, clumsy manner, and some cheap ideas slightly reduce my enjoyment whenever I re-watch this. Overall, this is still a strong film, and I stand behind what I say. Kurtwood Smith is one of the most fiendish villains of the 80s, and one of the most unorthodox ones, too, with those glasses, but we must also mention Peter Weller who is often overlooked under that armor, yet his stoic presence tells us everything we need to know. His Murphy is a character designed by the corporations, a being that is a product, not a being anymore. The way he finds his humanity, nonetheless, is still powerful. He defies the system, he defies the cold exploitation - and he becomes worthy to become recognized. And the ED-something-something robot is still cool as ever, too.
RoboCop started out as a pure B-movie, but unlike Cyborg (1989) or The Six Million Dolar Man (1974), it kept its relevance, satire and sharpness precisely because it is so close to today that it hurts. Even as a kid, I somehow got that one of the messages of the film was how the power was slowly shifting from the government to the OCP. Let's be fair, though, Verhoeven sometimes directs a scene in a heavy, clumsy manner, and some cheap ideas slightly reduce my enjoyment whenever I re-watch this. Overall, this is still a strong film, and I stand behind what I say. Kurtwood Smith is one of the most fiendish villains of the 80s, and one of the most unorthodox ones, too, with those glasses, but we must also mention Peter Weller who is often overlooked under that armor, yet his stoic presence tells us everything we need to know. His Murphy is a character designed by the corporations, a being that is a product, not a being anymore. The way he finds his humanity, nonetheless, is still powerful. He defies the system, he defies the cold exploitation - and he becomes worthy to become recognized. And the ED-something-something robot is still cool as ever, too.
- gorankostanski
- 4 juin 2013
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Robocop, el defensor del futuro
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 53 424 681 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 008 721 $ US
- 19 juill. 1987
- Brut – à l'échelle mondiale
- 53 429 250 $ US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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