Un soldat britannique kidnappé par de l'IRA se lie bientôt d'amitié avec l'un de ses kidnappeurs, qui devient alors entraîné dans le monde des soldats.Un soldat britannique kidnappé par de l'IRA se lie bientôt d'amitié avec l'un de ses kidnappeurs, qui devient alors entraîné dans le monde des soldats.Un soldat britannique kidnappé par de l'IRA se lie bientôt d'amitié avec l'un de ses kidnappeurs, qui devient alors entraîné dans le monde des soldats.
- Réalisation
- Scénariste
- Vedettes
- A remporté 1 oscar
- 22 victoires et 46 nominations au total
Breffni McKenna
- Tinker
- (as Breffini McKenna)
Birdy Sweeney
- Tommy
- (as Birdie Sweeney)
Andrée Bernard
- Jane
- (as Andree Bernard)
Bryan Coleman
- Judge
- (as Brian Coleman)
7,262.7K
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Avis en vedette
The Crying Game (1992)
Directed by Neil Jordan. Starring Stephen Rea, Jaye Davidson, Miranda Richardson, Forest Whitaker, Jim Broadbent, Adrian Dunbar, Ralph Brown, Tony Slattery. (R)
A group of IRA members, including volunteer Rea, kidnap a British soldier (Whitaker); later, Rea visits the soldier's girlfriend (Davidson) in London and becomes involved in a most unusual relationship with her. Stunning blend of thriller and romance explores daring subject matter in consistently fascinating ways, creating a story that is so full of surprises (many more than just the much ballyhooed "twist") that its very genre changes multiple times. Most serpentine suspensers are built purely on their own mechanism, but this one goes one step further by actually making the audience care about and identify with the original, layered characters. Davidson, an amateur "discovered" by a casting agent, gives a terrific debut performance, matched by a fine group of co-stars, some of whom have never been better. Director Jordan's Oscar-winning script, however, is the true star, and a very rare bird indeed for a movie that became famous for its shocking surprise: knowing the secret in advance doesn't spoil any of the pleasures of watching the plot unfold, and the writing never cheats or unnaturally deceives the audience for the sake of a cheap jolt at the moment the rug is pulled.
91/100
A group of IRA members, including volunteer Rea, kidnap a British soldier (Whitaker); later, Rea visits the soldier's girlfriend (Davidson) in London and becomes involved in a most unusual relationship with her. Stunning blend of thriller and romance explores daring subject matter in consistently fascinating ways, creating a story that is so full of surprises (many more than just the much ballyhooed "twist") that its very genre changes multiple times. Most serpentine suspensers are built purely on their own mechanism, but this one goes one step further by actually making the audience care about and identify with the original, layered characters. Davidson, an amateur "discovered" by a casting agent, gives a terrific debut performance, matched by a fine group of co-stars, some of whom have never been better. Director Jordan's Oscar-winning script, however, is the true star, and a very rare bird indeed for a movie that became famous for its shocking surprise: knowing the secret in advance doesn't spoil any of the pleasures of watching the plot unfold, and the writing never cheats or unnaturally deceives the audience for the sake of a cheap jolt at the moment the rug is pulled.
91/100
Pity Whomever Tries to Re-make this One
This is one of those rare movies that comes along and achieves something outrageous, heartwarming, and unique.The cast is above compare and the storyline has nothing to do with what the movie is actually about. If you are a lover of movies or just feel like seeing something different rent this one.It is a must see for anyone and I cannot believe it is not on the top 250 list.It's that good!
An absolute knockout!!!
A great movie even if there wasn't that surprise twist. That may even have ruined the movie for some. For those sensitive viewers, just ask a friend to fast forward certain graphic scenes for you, and then you can still enjoy the movie. It's a most touching story of love, loyalty and respect transcending all barriers of race, religion and sexual orientation.
The remarkable message here is that all human beings, whoever they are, wherever they come from or whatever their lifestyles, are all equally human. They love, hate, laugh, cry, feel and hurt just like everybody else. So folks, people of the world, love thy neighbors, man! Their hair may be green, their skins may be purple, but their hearts are no different from everybody else's.
One of the best movies in a long time. A must see for all except the weak-stomached. All things considered, an absolute 10/10.
The remarkable message here is that all human beings, whoever they are, wherever they come from or whatever their lifestyles, are all equally human. They love, hate, laugh, cry, feel and hurt just like everybody else. So folks, people of the world, love thy neighbors, man! Their hair may be green, their skins may be purple, but their hearts are no different from everybody else's.
One of the best movies in a long time. A must see for all except the weak-stomached. All things considered, an absolute 10/10.
A Masterpiece of the Unexpected
The only reason I watched The Crying Game was because I had heard it was pretty good and it is from the same director as The Interview with the Vampire. Plus it was on TV. The film really surprised me. It was wonderfully made and had a great twist. The performances were real and profound. The writing was some of the best in years. And the direction was outstanding. And the costume design, art direction, makeup, and score were all amazing. The song The Crying Game also caught me as particularly wonderful. The Crying Game is a classic in every way. It makes a lasting impression and should be viewed many times. It is a true classic.
An amazing film
The less you know about this film, the better. I won't tell you anything except what a well-written and well-acted movie this is. from the first 15 minutes, which is mainly dialogue between two actors, you are completely drawn in to the film, which has almost dream-like qualities.
If you were planning to see it just because of the "twist" and to see what everyone was talking about, then see it. If you were planning to see it for the amazing script, acting and direction - see it. And if you were planning on not seeing it - see it
If you were planning to see it just because of the "twist" and to see what everyone was talking about, then see it. If you were planning to see it for the amazing script, acting and direction - see it. And if you were planning on not seeing it - see it
Le saviez-vous
- AnecdotesLe cri des larmes (1992) was Jaye Davidson's theatrical film debut.
- GaffesA sub-machine gun is fired at officials entering a car. Several officials on both sides of the car are hit, but none of the cars have broken windows or other damage.
- ConnexionsFeatured in Boy George: The Crying Game (1992)
- Bandes originalesWhen A Man Loves A Woman
Composed by Cameron Lewis and Andrew Wright
Published by Pronto Music Inc./Quinvy Music Publishing Co./Warner Tamberlane Publishing Corp.
By Kind Permission of Warner Chappell Music Ltd.
Performed by Percy Sledge
Recording Courtesy of Warner Music UK Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Crying Game
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 300 000 £ (estimation)
- Brut – États-Unis et Canada
- 62 548 947 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 101 107 $ US
- 29 nov. 1992
- Brut – à l'échelle mondiale
- 62 549 086 $ US
- Durée
- 1h 52m(112 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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