Après que son mari humilié se soit tué, une veuve enceinte perd son enfant et se lance dans une mission de vengeance contre une femme et sa famille.Après que son mari humilié se soit tué, une veuve enceinte perd son enfant et se lance dans une mission de vengeance contre une femme et sa famille.Après que son mari humilié se soit tué, une veuve enceinte perd son enfant et se lance dans une mission de vengeance contre une femme et sa famille.
- Prix
- 6 victoires et 6 nominations au total
Therese Tinling
- Receptionist
- (as Therese Xavier Tinling)
Histoire
Le saviez-vous
- AnecdotesRebecca De Mornay initially auditioned for the role of Claire Bartel and Annabella Sciorra auditioned for the role of Mrs. Mott.
- GaffesThe asthma inhaler should be used with closed lips, breathing deeply.
- Citations
Peyton Flanders: Marlene, is everything all right?
Marlene 'Marl' Craven: No! I need a doctor. *Know* of any, Mrs Mott?
- Générique farfeluAs the end credits roll, we see the Bartel residence.
Commentaire en vedette
The Hand that Rocks the Cradle is the cornerstone of the trashy chick flick sub-genre. Many films since have used the same formula that makes this one a success, and most have failed. The reason this film is almost a resounding success has nothing to do with the plot or characters, however, it's the way that director Curtis Hanson handles it. The man who would go on to find acclaim with the astounding L.A. Confidential directs with the utmost still, and while there are few absolutely shocking sequences in this film; you would be forgiven for thinking otherwise due to the way that Hanson handles every scene. The movie leaves a lot of room for suspense, and every instant is made the best of by the director. The plot seems rather routine these days (and it probably did back in 1992), as we see a good all-American family hire the 'perfect' babysitter. She's not quite so perfect, however, and as we watch her pull down the family she's supposed to be helping from within, this becomes abundantly clear.
One thing that makes this film hard to like for some people is the fact that almost every motivation in the film is extremely unlikely. Would you hire a babysitter who apparently 'just knew' you wanted one? Wouldn't you become suspicious when everything started going wrong after you hired her? The list goes on, it really does, and it would seem that writer Amanda Silver just wanted to portray certain plots and didn't care too much how the characters fit into them. It's also obvious that the script was written by a woman throughout, with many of the sequences being more aimed towards women. None of these bad points really harm it though, because it's so well handled that it's hard not to just sit back and enjoy yourself. The centrepiece when it comes to the stagy set pieces is definitely the one with the greenhouse, which is both psychologically pleasing and suspense filled. The acting is just fine, with Rebecca De Mornay slotting into the deranged psycho role nicely. The best thing about this film for me is definitely the way that the babysitter manipulates the children and engineers situations to her advantage. This may be trash at the end of the day, but it's fiendishly done!
One thing that makes this film hard to like for some people is the fact that almost every motivation in the film is extremely unlikely. Would you hire a babysitter who apparently 'just knew' you wanted one? Wouldn't you become suspicious when everything started going wrong after you hired her? The list goes on, it really does, and it would seem that writer Amanda Silver just wanted to portray certain plots and didn't care too much how the characters fit into them. It's also obvious that the script was written by a woman throughout, with many of the sequences being more aimed towards women. None of these bad points really harm it though, because it's so well handled that it's hard not to just sit back and enjoy yourself. The centrepiece when it comes to the stagy set pieces is definitely the one with the greenhouse, which is both psychologically pleasing and suspense filled. The acting is just fine, with Rebecca De Mornay slotting into the deranged psycho role nicely. The best thing about this film for me is definitely the way that the babysitter manipulates the children and engineers situations to her advantage. This may be trash at the end of the day, but it's fiendishly done!
- The_Void
- 1 oct. 2005
- Lien permanent
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- How long is The Hand That Rocks the Cradle?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Hand That Rocks the Cradle
- Lieux de tournage
- 2502 37th Ave W, Seattle, Washington, États-Unis(Dr. and Mrs. Mott's home)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 11 700 000 $ US (estimation)
- Brut – États-Unis et Canada
- 88 036 683 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 7 675 016 $ US
- 12 janv. 1992
- Brut – à l'échelle mondiale
- 88 036 759 $ US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of La main qui berce l'enfant (1992) in India?
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