Épique biographique du leader nationaliste noir, controversé et influent, depuis ses débuts et sa carrière de petit gangster jusqu'à son ministère en tant que membre de la Nation de l'Islam.Épique biographique du leader nationaliste noir, controversé et influent, depuis ses débuts et sa carrière de petit gangster jusqu'à son ministère en tant que membre de la Nation de l'Islam.Épique biographique du leader nationaliste noir, controversé et influent, depuis ses débuts et sa carrière de petit gangster jusqu'à son ministère en tant que membre de la Nation de l'Islam.
- Réalisation
- Scénaristes
- Vedettes
- Nommé pour 2 oscars
- 19 victoires et 24 nominations au total
- Benjamin 2X
- (as Jean LaMarre)
Avis en vedette
A film that stands the test of time.....
Based on the best-selling autobiography by Malcolm X and Alex Haley,and with spellbinding direction by Spike Lee,it traces the story of Malcolm himself,from his days as a hustler and drug runner and hitting rock bottom during his imprisonment in the 1950's,he became a Black Muslim and then a leader in the Nation Of Islam under the guidance of the honorable Elijah Muhammad. His assassination in 1965 left a legacy of black nationalism,self-determination and racial pride that continues to the day and within a new generation whom for the first time has witnessed a masterpiece of cimematic work. This is marked by strong performances throughout with powerful direction by Spike Lee,cimematopgrapher Ernest Dickerson,and riveting breathtaking performances by Denzel Washington,Angela Bassett,and most notably from Al Freeman,Jr. as Elijah Muhammad. The real centerpiece of the film is from Denzel Washington himself,whose convincing performance in the title role brings this film alive. When this film came out,it only receive one Oscar nomination but however,the film garnered a lot of awards including the NAACP Image Film Award,The New York Film Critics Award for Best Actor,The Los Angeles Times Film Award for Best Director and Best Actor,and MTV Movie Awards for both Denzel Washington and Al Freeman,Jr.--all of this happened in 1992,when the film came out.
As far as the cameos go,this film had a lot of them in one picture including Black Panther Bobby Seale,Reverend Al Sharpton,The Honorable Nelson Mandela,Reverend Jesse Jackson,along with Hollywood walk-ons: Christopher Plummer,Karen Allen,Peter Boyle and Danny Glover,and Whoopi Goldberg.
Brilliant!-Five Stars
The Denzel Washington Show.
The Biggest Snub in Oscar History
Epic film does justice to its subject.
There's great differences between the two as well, but to me Lee has many things in common with Oliver Stone. Both of them seem to have been born to make films. Both of them are uncompromising in bringing their artistic (and moral) vision to the screen, and neither will try to seduce the public by catering to their tastes. Both present their own interpretation of facts without apology. (For example, from what I've read it's not certain that Malcolm's father was actually killed by Klansmen. But Lee isn't in the same league as Stone when it comes to playing fast and loose with the "truth.") Stone even ends his movie 'Nixon' in a similar way to 'Malcolm X,' with footage of real-life figures blended in, though I'm not accusing Stone of imitation.
This movie has an epic sweep and scope and as a director Lee is up to the challenge. He is served well by being able to direct in several styles, one of which is almost cartoonish: witness the scene where Malcolm (Denzel Washington) and Shorty (played by Lee himself) go stepping out at the Roseland Ballroom, resplendent in their zoot suits. Some comic relief is welcome at times because otherwise the serious, heavy message of the picture might be overwhelming. For instance, the movie opens with a full-screen shot of an American flag while we hear a voice-over of one of Malcolm's most rousing, or inflammatory speeches, depending on how you look at it ("I accuse the white man of being the greatest murderer on the planet!") The flag begins to burn and eventually forms a flaming 'X' as the fiery rhetoric continues. But if you haven't been scared away, the next scene shows the young man Malcolm Little in a funny situation, having his hair straightened by a concoction that threatens to burn off his scalp.
Denzel Washington has won beaucoups of rightly-deserved accolades for his amazing performance in the title role. If you've ever heard or seen Malcolm X's speaking, you will be astounded at the similarities in tone and cadence. The illusion is so real one may not recognize that real archival footage of Malcolm is used late in the film. But this is not a case of style over substance here. Between Washington's talent and Lee's directing and screenwriting, an unforgettable character emerges. The film boasts other fine performances by Al Freeman, Jr. (especially good as Elijah Muhammad, a controversial figure in society, and eventually to Malcolm himself), Delroy Lindo, Albert Hall, Kate Vernon, Ernest Thomas and many others in its large cast.
It's clear that Lee doesn't care for the Motion Picture Academy and they don't particularly care for him. But the snubbing he and his picture got at Oscar time would be comparable to Richard Attenborough and 'Ghandi' not being nominated the year that film was made. Ordinarily, one would think this film is the kind of production Hollywood loves to honor. But Academy Award nominations or not, the film 'Malcolm X' is like the man himself: impossible to ignore.
Brilliant
Le saviez-vous
- AnecdotesThe image of Denzel Washington holding the M1 Carbine and peering out the curtains is a direct visual recreation of an iconic photo that appeared in LIFE magazine.
- GaffesMalcolm watches television news footage of race riots, including the March 1965 attack on the Edmund Pettus Bridge in Selma, Alabama and the 1967 Newark, New Jersey Riots. Both incidents took place after Malcolm was assassinated in February 1965.
- Citations
Malcolm X: You may be shocked by these words, but I have eaten from the same plate, drunk from the same glass and prayed to the same God with fellow Muslims whose eyes were blue, whose hair was blond and whose skin was the whitest of whites. And we are brothers, truly; people of all colors and races believing in One God and one humanity. Once before, in prison, the truth came and blinded me. It has happened again... In the past, I have permitted myself to be used to make sweeping indictments of all white people, and these generalizations have caused injuries to some white folks who did not deserve them. Because of the spiritual rebirth which I was blessed to undergo as a result of my pilgrimage to the Holy City of Mecca, I no longer subscribe to sweeping indictments of one race. I intend to be careful not to sentence anyone who has not been proven guilty. I'm not a racist and do not subscribe to any of the tenets of racism. In all honesty and sincerity it can be stated that I wish nothing but freedom, justice and equality: life, liberty, and the pursuit of happiness for all people. My first concern, of course, is with the group to which I belong, the Afro-Americans, for we, more than any other, are deprived of these inalienable rights. I believe the true practice of Islam can remove the cancer of racism from the hearts and souls of white Americans.
- Générique farfeluAt the end of the credits the film is dedicated to Alex Haley, author of the book the movie is based on. There is also a picture of the book and a special note that says: "Read 'The Autobiography of Malcolm X'"
- ConnexionsEdited from JFK (1991)
- Bandes originalesSomeday We'll All Be Free
Written by Donny Hathaway (as Donny E. Hathaway) and Edward U. Howard
Used by permission of WB Music Corp. and Kuumba Music Publishing Company
Produced by Arif Mardin
Performed by Aretha Franklin
Courtesy of Artista Records, Inc.
Meilleurs choix
Détails
Box-office
- Budget
- 33 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 48 169 910 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 871 125 $ US
- 22 nov. 1992
- Brut – à l'échelle mondiale
- 48 169 910 $ US
- Durée
- 3h 22m(202 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1






