Le jeune d'Artagnan se rend à Paris pour rejoindre les Mousquetaires mais le méchant cardinal les a dissous - sauf trois. Il rencontre les trois, Athos, Porthos et Aramis, et les rejoint dan... Tout lireLe jeune d'Artagnan se rend à Paris pour rejoindre les Mousquetaires mais le méchant cardinal les a dissous - sauf trois. Il rencontre les trois, Athos, Porthos et Aramis, et les rejoint dans leur quête pour sauver le roi et le pays.Le jeune d'Artagnan se rend à Paris pour rejoindre les Mousquetaires mais le méchant cardinal les a dissous - sauf trois. Il rencontre les trois, Athos, Porthos et Aramis, et les rejoint dans leur quête pour sauver le roi et le pays.
- Director
- Writers
- Stars
- Prix
- 2 victoires et 3 nominations au total
Avis en vedette
This film is but a true fun adventure. It's not to be taken absolutely serious. Nor a direct adaption of the classic book. Has quite notable performances by Kiefer Sutherland, Michael Wincott, Rebecca De Mornay, Gabrielle Anwar, and Paul Mcgann. The cinematography as well is noteworthy, two shots that stand out, that i always use in compilations, the shot of them riding across the plains, and when they charge the castle at the end, with an army of musketeers behind them; always takes my breath away. This is a fun movie! Watch for an escape of reality.
This is a very ordinary version of The Three Musketeers. Film versions of classic novels should at least bear some resemblance to the plot of the novel from which they are adapted, even if they are just pot-boilers intended for a family audience like this one, and not meant to be taken too seriously. But this is a very loose adaptation indeed.
The acting is just up to the level required and the dialogue is a mix of pseudo-17th century and contemporary Americanisms which fail to convince the viewer that he/she is watching a picture set in 17th century France. Though the production is quite a handsome one, with the sets, locations, and costumes all nice to look at, the characters are not well-drawn, in particular those of Cardinal Richlieu, portrayed as an out and out villain, admittedly enjoyably, but with little depth, and D'Artagnan who is played as naive, arrogant and pompous and not as a particularly likable character.
Other comments stress that this is a Disney picture made for the family, but that should not save it from criticism. Compare it with Disney's Treasure Island, or Kidnapped, both much superior adaptations. Nor have they helped children understand the novel. Because it is so loosely based they would hardly recognise it as The Three Musketeers if the characters' names had been changed, though I do agree that film adaptations don't have to follow the source novel absolutely faithfully.
But is it entertaining? Yes and no. The villains are hiss-able, Aramis, Arthos and Porthos are sometimes entertaining, despite the questionable dialogue they are given, and Richlieu, though often over the top, has his moments. The action scenes are OK but not done with any great verve compared with the Richard Lester version. Milady does not feature as a really central character in the plot as she should and in fact many of the novels' characters do not appear in the film at all.
Read the book and see the 1973 version and forget this one if you are over 16.
The acting is just up to the level required and the dialogue is a mix of pseudo-17th century and contemporary Americanisms which fail to convince the viewer that he/she is watching a picture set in 17th century France. Though the production is quite a handsome one, with the sets, locations, and costumes all nice to look at, the characters are not well-drawn, in particular those of Cardinal Richlieu, portrayed as an out and out villain, admittedly enjoyably, but with little depth, and D'Artagnan who is played as naive, arrogant and pompous and not as a particularly likable character.
Other comments stress that this is a Disney picture made for the family, but that should not save it from criticism. Compare it with Disney's Treasure Island, or Kidnapped, both much superior adaptations. Nor have they helped children understand the novel. Because it is so loosely based they would hardly recognise it as The Three Musketeers if the characters' names had been changed, though I do agree that film adaptations don't have to follow the source novel absolutely faithfully.
But is it entertaining? Yes and no. The villains are hiss-able, Aramis, Arthos and Porthos are sometimes entertaining, despite the questionable dialogue they are given, and Richlieu, though often over the top, has his moments. The action scenes are OK but not done with any great verve compared with the Richard Lester version. Milady does not feature as a really central character in the plot as she should and in fact many of the novels' characters do not appear in the film at all.
Read the book and see the 1973 version and forget this one if you are over 16.
If memory serves, I'd written this off as a "Prince of Thieves" cash-in at the time (even as a teen, it seemed obvious). But it's an unfair comparison and "The Three Musketeers" is entirely its own thing. This is a spirited, well-mounted adventure with evident chemistry between the lead foursome. Not to mention Tim Curry's undeniable screen presence and Michael Kamen's expert scoring. It's a good story with enough weight but still a sense of fun throughout; and you can primarily thank Oliver Platt for this, because he's clearly having fun. Plus, he's able to hold his own against the bigger names in the cast.
Add in the clanging of rapiers and some wonderfully un-Disney sexuality, Older Me finds this movie a pleasure to watch.
Add in the clanging of rapiers and some wonderfully un-Disney sexuality, Older Me finds this movie a pleasure to watch.
Lightheaded and lighthearted this is the definition of escapist entertainment and that is meant as a compliment. Something to watch when you want to relax and not have to think about the plot of the movie.
Chris O'Donnell is impish if a bit callow in the lead but the real show is musketeers anyway and there is where the movie excels. Keifer is suitably brooding as Athos and Charlie Sheen, before he became a surly twitchy mess, is a charming Aramis. The standout however is Oliver Platt going full on ham as Porthos giving a delightfully over the top performance and walking off with the picture whenever he is on screen.
Rebecca De Mornay also seems to be having a good time enacting the villainous Milady de Winter, she's sexy and silky. Lastly there is Tim Curry positively consuming the scenery as Cardinal Richelieu, in his flowing red robes he and Oliver Platt are in a dead heat for biggest scene stealer.
The production is high class with vibrant with color and beautiful settings, true it bears only a passing kinship with the source book but it is a fun time with lots of action and a carefree mood.
Chris O'Donnell is impish if a bit callow in the lead but the real show is musketeers anyway and there is where the movie excels. Keifer is suitably brooding as Athos and Charlie Sheen, before he became a surly twitchy mess, is a charming Aramis. The standout however is Oliver Platt going full on ham as Porthos giving a delightfully over the top performance and walking off with the picture whenever he is on screen.
Rebecca De Mornay also seems to be having a good time enacting the villainous Milady de Winter, she's sexy and silky. Lastly there is Tim Curry positively consuming the scenery as Cardinal Richelieu, in his flowing red robes he and Oliver Platt are in a dead heat for biggest scene stealer.
The production is high class with vibrant with color and beautiful settings, true it bears only a passing kinship with the source book but it is a fun time with lots of action and a carefree mood.
Nope, it's by no means an accurate adaptation of Dumas' original work. Umm, does nanyone really care? Dumas' plot, while interesting in and of itself to many, is probably not one that many folks who think of "the Three Musketters" could actually _tell_ you.
This movie sets out to more or less capture the feel of such films, rather than the source material itself. In that regard, it's not too badly done. The characters are pretty broadly drawn, but adequate for the younger audience they're aimed at. Sutherland, Platt, and Sheen all seem way too young, but at least the first two are entertaining. Platt in particular manages to steal every scene he's in.
By the same token, Richelieu's character is simplified to "generic bad guy." The King and Queen seem too young as well (although they're represented age may be novelistically and/or historically accurate - again, could most folks really tell you, or care?).
Overall, I'd recommend the movie for some light entertainment, but don't take it too seriously.
This movie sets out to more or less capture the feel of such films, rather than the source material itself. In that regard, it's not too badly done. The characters are pretty broadly drawn, but adequate for the younger audience they're aimed at. Sutherland, Platt, and Sheen all seem way too young, but at least the first two are entertaining. Platt in particular manages to steal every scene he's in.
By the same token, Richelieu's character is simplified to "generic bad guy." The King and Queen seem too young as well (although they're represented age may be novelistically and/or historically accurate - again, could most folks really tell you, or care?).
Overall, I'd recommend the movie for some light entertainment, but don't take it too seriously.
Le saviez-vous
- AnecdotesKiefer Sutherland, Chris O'Donnell, and Oliver Platt all endured six weeks of fencing and riding lessons. Charlie Sheen missed out on all of this, as he was then embroiled in the filming of Des pilotes en l'air: Deux (1993).
- GaffesAramis is shown quoting Genesis (the first chapter in the Bible) while presumably reading from a Bible, which is open in the middle. Given Aramis' reputation and the subsequent action, it is possible that he was quoting from memory and merely had a book open in front of him to give the impression of piety.
- Autres versionsTwo scenes were cut from the German cinema version to secure a "Not under 12" rating (The murder of the prisoner is cut completely (ca. 13 seconds) and the death of the bald headed man in the prison at the end is shortened (ca. 6 seconds).) Second DVD release is uncut ("Not under 16") and bears the note "Uncut version" on the sleeve.
- Bandes originalesAll For Love
Performed by Bryan Adams, Rod Stewart, and Sting
Written by Bryan Adams, Mutt Lange (as Robert John "Mutt" Lange), and Michael Kamen
Produced by Chris Thomas, Bryan Adams, and David Nicholas
Bryan Adams and Sting appear courtesy of A&M Records
Rod Stewart appears courtesy of Warner Bros. Records, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Three Musketeers
- Lieux de tournage
- Hofburg, Vienne, Autriche(palace interiors, birthday celebration, final fight scenes)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 53 898 845 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 10 621 992 $ US
- 14 nov. 1993
- Brut – à l'échelle mondiale
- 53 898 845 $ US
- Durée
- 1h 45m(105 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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