Quirky little sci-fi flick that has its share of goofy charms. Unfortunately, though, Death Machine goes too far in a few categories, resulting in an eye-rolling-groan instead of the genuine amused chuckle. It doesn't quite nail the blending of two genres appropriately nor is it entirely effective, but it does an okay job. The movie does wear out its welcome by the time the final act starts.
The Death Machine, aka the WarBeast, didn't set well with me. Kind of a mechanical, terminator-ish Alien with autism-inspired hyper-twitches with its claws (reminding me of the guy from Cube for some reason). It's not that the thing looked unrealistic, it's the fact that it moved like a chihuahua on a coffee high.
Also the character suited up in the super soldier gear went a bit too far over the top with his Unisol-from-hell impression. Every now and then I found myself chuckling at him or his comments, but for the most part I think he should've pulled back just a tad.
There's a few others, but I'll just comment on one more that bugged me. The all-too-blunt reference to famous directors, giving characters the same first and last name (or in a 'clever twist' swapping 'em around) . . . I really think references are more effective when they're subtle and not glaring at you from the screen with a big red blinking light.
The tongue-in-cheek approach, and goofy nature and the fact they walked a thin line of parody/seriousness didn't bother me . . . I just felt they didn't do too hot a job of walking that line and frequently went overboard on the parody side.
On the plus side, everyone feels right in their appointed roles and the production value/effects are, for the most part, appropriate. Ely Pouget and Brad Dourif are the stars here; they play off each other nicely. The Dante character would've come across as incredibly lame in the hands of a lesser actor, but Dourif gives Dante a very unique aura of childish menace and pulls off one one the performances and creating probably the best character in the film.
Pouget is fun as Cale, constantly bouncing her chivarlous and noble comments off the demented Dante. The humor in Pouget and Dourif's performance comes about from their serious/straight forward delivery. Despite the wackiness surrounding them, these two characters are probably the most grounded in reality . . . which is weird, sad, and entertaining at the same time and well, you have to see the film to understand.
If material has to be 100% believable for you to like a movie . . . why do you still watch movies? Death Machine is a movie where you suspend your belief just to sit back and embrace the corniness as it pokes fun at its big cinematic brethren . . . I just wish it did a little better job of it throughout the whole movie. Oh well, it was worth the rental price.
