Ajouter une intrigue dans votre langueA comedic love/hate relationship develops between a dour taxi driver and a hapless aspiring musician after the latter stiffs his cab fare.A comedic love/hate relationship develops between a dour taxi driver and a hapless aspiring musician after the latter stiffs his cab fare.A comedic love/hate relationship develops between a dour taxi driver and a hapless aspiring musician after the latter stiffs his cab fare.
- Prix
- 3 victoires et 7 nominations au total
Nikolay Ezhevski
- Guardian
- (as Nikolai Yezhevsky)
Histoire
Le saviez-vous
- AnecdotesOfficial submission of Soviet Union for the 'Best Foreign Language Film' category of the 63th Academy Awards in 1991.
- GaffesIn the opening sequence, the guy with the blue palm tree shirt waves his hands hypnotist style in front of a woman. Her position in the seat changes between shots.
- ConnexionsReferenced in Vecherniy Urgant: Daniil Medvedev/Pavel Lungin (2019)
Commentaire en vedette
*Please note: This review discusses many key events of the film, including the end. Do not read if you have not seen the movie!!!
Taxi Blues is a film about control. It isn't, however, as simple as it initially seems. At the film's conclusion, the audience is left to ask, "Who's really controlling whom?"
At the beginning of this film, Chlykov has complete control of his life. He manages his cab, and his side job of selling alcohol, with an iron fist and the facial expression to match. He is the master of his domain and no one in his or her right mind would dare to question his authority in any way.
The problem is that Lyosha is not in his right mind. His life is careening out of control and he has one priority. Alcohol. From the minute that he requests his first bottle from Chlykov, their lives become irrevocably entangled. In the beginning, it is very clear where the power lies. As the film continues, however, it becomes harder and harder to tell who is controlling whom. Although he does not seem to realize it, Chlykov's life begins to revolve around the very man he seeks to reform. As a result, aspects of his own life start to slip from his control.
For example, when Lyosha begins to seduce his girlfriend, Chlykov, in a desperate attempt to prove his authority, smashes Lyosha's saxophone and then engages Christina in an aggressive sexual act against her will. For those few minutes, Chlykov is free of his self-induced commitment to Lyosha. However, his freedom is short-lived. A few minutes later the phone rings and he is soon back at the jail to meet Lyosha, once again putting his own life on hold.
By the end of the film, the roles have reversed. Lyosha gets his life together, at least temporarily, and is on top of the world as a beloved, world-renowned musician. Chlykov's life, however, is reminiscent of Lyosha's at the beginning of the film. He severs connections with his girlfriend, his friends and his once structured existence. It is no coincidence that in the last scenes of the film, Chlykov is in a speeding car, spinning wildly out of control.
Taxi Blues is a film about control. It isn't, however, as simple as it initially seems. At the film's conclusion, the audience is left to ask, "Who's really controlling whom?"
At the beginning of this film, Chlykov has complete control of his life. He manages his cab, and his side job of selling alcohol, with an iron fist and the facial expression to match. He is the master of his domain and no one in his or her right mind would dare to question his authority in any way.
The problem is that Lyosha is not in his right mind. His life is careening out of control and he has one priority. Alcohol. From the minute that he requests his first bottle from Chlykov, their lives become irrevocably entangled. In the beginning, it is very clear where the power lies. As the film continues, however, it becomes harder and harder to tell who is controlling whom. Although he does not seem to realize it, Chlykov's life begins to revolve around the very man he seeks to reform. As a result, aspects of his own life start to slip from his control.
For example, when Lyosha begins to seduce his girlfriend, Chlykov, in a desperate attempt to prove his authority, smashes Lyosha's saxophone and then engages Christina in an aggressive sexual act against her will. For those few minutes, Chlykov is free of his self-induced commitment to Lyosha. However, his freedom is short-lived. A few minutes later the phone rings and he is soon back at the jail to meet Lyosha, once again putting his own life on hold.
By the end of the film, the roles have reversed. Lyosha gets his life together, at least temporarily, and is on top of the world as a beloved, world-renowned musician. Chlykov's life, however, is reminiscent of Lyosha's at the beginning of the film. He severs connections with his girlfriend, his friends and his once structured existence. It is no coincidence that in the last scenes of the film, Chlykov is in a speeding car, spinning wildly out of control.
- khubbard-1
- 4 mai 2004
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Taxi Blues?Propulsé par Alexa
Détails
Box-office
- Brut – à l'échelle mondiale
- 2 792 $ US
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Taksi-blyuz (1990) officially released in India in English?
Répondre