ÉVALUATION IMDb
7,6/10
16 k
MA NOTE
Alex, sans-abri alcoolique et Michèle, qui perd la vue, nouent des liens tout en dormant à la belle étoile sur le Pont-Neuf.Alex, sans-abri alcoolique et Michèle, qui perd la vue, nouent des liens tout en dormant à la belle étoile sur le Pont-Neuf.Alex, sans-abri alcoolique et Michèle, qui perd la vue, nouent des liens tout en dormant à la belle étoile sur le Pont-Neuf.
- Nominé pour le prix 1 BAFTA Award
- 4 victoires et 8 nominations au total
Chrichan Larsson
- Julien
- (as Chrichan Larson)
Histoire
Le saviez-vous
- AnecdotesLeos Carax was originally given permission to use the real Pont-Neuf bridge in Paris and have it closed for filming but delays in filming meant the permission expired and he had to reconstruct the whole thing on a lake near Montpellier, France. The construction of a new version of the Pont-Neuf - and its surrounding buildings in Paris - helped make the film one of the most expensive French films ever made.
- GaffesJust before Alex jumps out of the speedboat, a crew person is visible hunched down in ninja clothing to pilot the boat.
- Citations
Michèle Stalens: The people in our dreams, we should call them when we wake up. It would make life simpler. "Hello, I dreamed of you. Love woke me".
- Générique farfeluAfter the last end title, during a fraction of a second, there is a handwritten inscription "à Luje - Amour - A." (To Luje - Love - A.) A. stands for Alexandre (Leos Carax' real first name) and Luje for Juliette (Binoche).
- ConnexionsFeatured in Enquête sur un film au-dessus de tout soupçon (1991)
- Bandes originalesTime Will Crawl
Written and performed by David Bowie
Commentaire en vedette
Obsession, addiction, violence and love. Sometimes all four at the same time. If nothing else, this movie is a complete roller-coaster ride through the emotions. It's hard to say whether it's really a love story. Is it love when you want to possess someone to the point where you would rather they go blind than go away? Is it love to want to drag someone down with you to bottom of your own degradation? Is it love when you would take someone's life because they wanted to go home? But then again, is it love when you allow all this to happen and still come back for more? I have my doubts.
This is really a story of obsession and possession between two people who find themselves marooned out on the edge of human existence. They find something like tenderness, something like love by holding on to each other like two children lost in the dark woods. But obsession is ultimately destructive and so it is here. Alex wants Michelle but never really shows any real tenderness. He has nothing to offer except cheap wine and an old overcoat. He is destructive, violent and child-like. The relationship between Alex and Michelle is quite impossible to comprehend sometimes. What this movie does have is passion. But this is real life passion. Real and raw. If you ever see real people like Alex and Michelle, and they do exist, you can see how they cling to each other, how they abuse each other, how they are possessed by their lifestyle, unable or unwilling to fight their way out of their humiliation. So in the end they just drag each further down, drowning in hopelessness.
But just as you think the story is going to end in tragedy...well you have to watch it for yourself.
The cinematography in this movie is breathtaking at times, but in a very unconventional way. It is beautiful to watch even though there is precious little that is attractive. Paris looks by turns both shiny and exciting and then dark, grey and filthy. Which, if you've been there, you will know is exactly how it is. There is not a single shot of any famous Parisian landmark either. Only the river Seine and the bridges around Pont Neuf are part of the landscape in this story.
It's really an ensemble piece for two characters; two characters caught up in obsession, possession and some kind of love story. The two lead actors, Juliette Binoche and Dennis Levant produce performances of real emotional power and subtlety. There is nothing coming out of Hollywood to match movies like this, nor are there many actors, if any, who could get close to performances like these. One day the Academy will begin to recognise that acting and movies is not just about box office returns and bestow their awards on movies like this.
This is really a story of obsession and possession between two people who find themselves marooned out on the edge of human existence. They find something like tenderness, something like love by holding on to each other like two children lost in the dark woods. But obsession is ultimately destructive and so it is here. Alex wants Michelle but never really shows any real tenderness. He has nothing to offer except cheap wine and an old overcoat. He is destructive, violent and child-like. The relationship between Alex and Michelle is quite impossible to comprehend sometimes. What this movie does have is passion. But this is real life passion. Real and raw. If you ever see real people like Alex and Michelle, and they do exist, you can see how they cling to each other, how they abuse each other, how they are possessed by their lifestyle, unable or unwilling to fight their way out of their humiliation. So in the end they just drag each further down, drowning in hopelessness.
But just as you think the story is going to end in tragedy...well you have to watch it for yourself.
The cinematography in this movie is breathtaking at times, but in a very unconventional way. It is beautiful to watch even though there is precious little that is attractive. Paris looks by turns both shiny and exciting and then dark, grey and filthy. Which, if you've been there, you will know is exactly how it is. There is not a single shot of any famous Parisian landmark either. Only the river Seine and the bridges around Pont Neuf are part of the landscape in this story.
It's really an ensemble piece for two characters; two characters caught up in obsession, possession and some kind of love story. The two lead actors, Juliette Binoche and Dennis Levant produce performances of real emotional power and subtlety. There is nothing coming out of Hollywood to match movies like this, nor are there many actors, if any, who could get close to performances like these. One day the Academy will begin to recognise that acting and movies is not just about box office returns and bestow their awards on movies like this.
- terraplane
- 3 avr. 2007
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Lovers on the Bridge
- Lieux de tournage
- Boulevard de Sebastopol, Paris, France(Car hits Lavant)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 29 679 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 21 482 $ US
- 4 juill. 1999
- Brut – à l'échelle mondiale
- 29 679 $ US
- Durée2 heures 5 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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By what name was Les amants du Pont-Neuf (1991) officially released in India in English?
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