Ajouter une intrigue dans votre langueIn 1950s Africa, a tribal magician calls up a demon to kill Europeans.In 1950s Africa, a tribal magician calls up a demon to kill Europeans.In 1950s Africa, a tribal magician calls up a demon to kill Europeans.
Andre Jacobs
- Geoff Armstrong
- (as André Jacobs)
Pepsi Mabizela
- Elizabeth's Cook
- (as Pepsy Mabozela)
John Madala
- Old man with donkey
- (as John Madlala)
Max Mkhwanzi
- Tractor Driver
- (as Max Mkwanazi)
Histoire
Le saviez-vous
- AnecdotesOriginally released as a standalone film entitled "Panga," both this film and Catacombs (1988) were released with the names "Curse III" and "Curse IV" despite not being intended sequels to La malédiction céleste (1987).
- ConnexionsFollows La malédiction céleste (1987)
Commentaire en vedette
Unrelated to "The Curse" (1987) and "Curse II: The Bite" (1989), this in-name-only sequel stars Jenilee Harrison of 'Three's Company' fame as Elizabeth Armstrong, wife of a farmer in 1950 East Africa. She and her sister meddle in a tribal ceremony (they don't want to see a goat get sacrificed), much to their regret. The local witch doctor (Dumi Shongwe) summons a powerful demon of the sea to slaughter these foolish whites for their interference.
Co-written and directed by Sean Barton, a veteran editor whose credits in that capacity include "Return of the Jedi", "Curse III: Blood Sacrifice" is actually a pretty enjoyable B horror flick. It gets most of its impact from its on-location shooting in South Africa, and has a very good atmosphere. It can also get rather gory at times. Barton and company are wise not to give the monster too much screen time; it's largely unseen until the end, and when we finally get a good look at it, it's got a reasonably impressive design (by Chris Walas, the effects man who gave us the Gremlins and the 1986 version of The Fly). The music score composed by Julian Laxton & Patric van Blerk is another big plus. "Curse III: Blood Sacrifice" goes through its paces with skill, building up a decent body count and giving us an incendiary finale.
One doesn't exactly feel too much sympathy for the victims, but at least some of the cast deliver okay performances. Harrison has some appeal as the heroine. Henry Cele has a powerful screen presence as the character Mletch. Co-star Gavin Hood, who plays Robert, may be better known now as a director of such movies as "Tsotsi", "X-Men Origins: Wolverine", and "Ender's Game". The true star power in "Curse III" is provided by ever-reliable Sir Christopher Lee, who doesn't get that much screen time despite his top billing. But he makes every moment count.
Overall, not bad at all. The novelty of the African setting helps to make up for the routine storyline.
Six out of 10.
Co-written and directed by Sean Barton, a veteran editor whose credits in that capacity include "Return of the Jedi", "Curse III: Blood Sacrifice" is actually a pretty enjoyable B horror flick. It gets most of its impact from its on-location shooting in South Africa, and has a very good atmosphere. It can also get rather gory at times. Barton and company are wise not to give the monster too much screen time; it's largely unseen until the end, and when we finally get a good look at it, it's got a reasonably impressive design (by Chris Walas, the effects man who gave us the Gremlins and the 1986 version of The Fly). The music score composed by Julian Laxton & Patric van Blerk is another big plus. "Curse III: Blood Sacrifice" goes through its paces with skill, building up a decent body count and giving us an incendiary finale.
One doesn't exactly feel too much sympathy for the victims, but at least some of the cast deliver okay performances. Harrison has some appeal as the heroine. Henry Cele has a powerful screen presence as the character Mletch. Co-star Gavin Hood, who plays Robert, may be better known now as a director of such movies as "Tsotsi", "X-Men Origins: Wolverine", and "Ender's Game". The true star power in "Curse III" is provided by ever-reliable Sir Christopher Lee, who doesn't get that much screen time despite his top billing. But he makes every moment count.
Overall, not bad at all. The novelty of the African setting helps to make up for the routine storyline.
Six out of 10.
- Hey_Sweden
- 13 août 2019
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