Deux meilleurs amis vivant dans les rues de Portland se prostituent et se lancent dans un voyage de découverte de soi et se rendent compte que leur relation se détériore.Deux meilleurs amis vivant dans les rues de Portland se prostituent et se lancent dans un voyage de découverte de soi et se rendent compte que leur relation se détériore.Deux meilleurs amis vivant dans les rues de Portland se prostituent et se lancent dans un voyage de découverte de soi et se rendent compte que leur relation se détériore.
- Prix
- 10 victoires et 9 nominations au total
- Denise
- (as Jessie Thomas)
- Coverboy
- (as Matt Ebert)
Histoire
Le saviez-vous
- AnecdotesThe scene with all the boys on the cover of the porno magazines coming to life and interacting was not done with any computers. At the time of production, CGI was still a very expensive tool. The individual pieces were filmed with the actors standing behind large pieces of plexi-glass, with the mock-magazine cover on front. Later, optical effects, similar to those used in matte painting, were used to composite them together on the "magazine rack".
- GaffesAt the campfire scene, whenever the camera shows Scott, Mike's hands are hanged to each other, but whenever the camera shows Mike, he is playing with piece of wood.
- Citations
Scott Favor: I only have sex with a guy for money.
Mike Waters: Yeah, I know.
Scott Favor: And two guys can't love each other.
Mike Waters: Yeah.
Mike Waters: Well, I don't know. I mean... I mean, for me, I could love someone even if I, you know, wasn't paid for it... I love you, and... you don't pay me.
Scott Favor: Mike...
Mike Waters: I really wanna kiss you, man... Well goodnight, man... I love you though... You know that... I do love you.
- ConnexionsEdited into The Phoenix Portal (2005)
- Bandes originalesCattle Call
Words and Music by Tex Owens
Performed by Eddy Arnold
Courtesy of Forster Music Publishing and the RCA Records label of BMG Music
The film follows Mark Waters (River Phoenix) an aimless, misguided young man who hustles on the streets and is yearning to find his way in life. His best friend is Scott Favor (Keanu Reeves), who is also a young man and and a hustler, but who instead is running away from his life in the hope of finding something better. Scott comes from a lot of wealth but chooses not to live that lifestyle because when he's this young and wild, he just doesn't believe that its right for him.
However the film is centered around Mark, who is played with such brutal honestly by the late River Phoenix. River is completely dedicated to the character and brings a wonderful vulnerability to a lost soul and it makes him relatable. We watch him go from scene to scene, leaving us as unaware of his future as he is. We watch him make many mistakes and we want him to better himself but such a task is not easy. Because that's the way life is.
Mark hustles because its just who he is. We don't know how he got here, but we know that he has fallen into this lifestyle and it has consumed him. He needs the money. All of his friends are hustlers, too. He has dreams but its tough to say if he ever truly wants to leave the lifestyle. It seems that getting clients and often falling asleep during it (due to him being narcoleptic) doesn't seem to take as much of a toll on him as does his thoughts about his mother, or his feelings for his best friend.
Gus Van Sant crafts a very fine film here that focuses on such a lifestyle that we're not exposed to in our every day lives and turns it into something we can all relate to. It all comes back to that road, the road that we're all on. Does it really end? Probably not. Much like in the way that Mark is shown standing on that road, staring out into the nothingness. Its really about our lives. We live and we're happy, and we're sad, and we're lonely, and we're lost, and we've found ourselves, all of these things happen on the very same road that never ends.
- Indie_Locker
- 12 juill. 2013
- Lien permanent
Meilleurs choix
Détails
Box-office
- Budget
- 2 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 6 401 336 $ US
- Brut – à l'échelle mondiale
- 6 407 514 $ US
- Durée1 heure 44 minutes
- Couleur
- Rapport de forme
- 1.85 : 1