Violet est la maîtresse d'un 'blanchisseur' de la Maffia et Corky une ex-taularde qui retape l'appartement voisin. Dans l'ascenseur, par-dessus l'épaule du maffioso, la blonde peroxydée et l... Tout lireViolet est la maîtresse d'un 'blanchisseur' de la Maffia et Corky une ex-taularde qui retape l'appartement voisin. Dans l'ascenseur, par-dessus l'épaule du maffioso, la blonde peroxydée et la brune musclée se lancent un regard velours. Femmes si fragiles [255]Violet est la maîtresse d'un 'blanchisseur' de la Maffia et Corky une ex-taularde qui retape l'appartement voisin. Dans l'ascenseur, par-dessus l'épaule du maffioso, la blonde peroxydée et la brune musclée se lancent un regard velours. Femmes si fragiles [255]
- Prix
- 8 victoires et 13 nominations au total
John P. Ryan
- Mickey Malnato
- (as John Ryan)
Kevin Michael Richardson
- Cop #2
- (as Kevin M. Richardson)
Histoire
Le saviez-vous
- AnecdotesIn a 2014 interview for Vulture, Jennifer Tilly talked about the sex and nudity in this film, and how filming a sex scene and being naked with another woman was less stressful than with a man. "Actors are always saying, 'Oh, sex scenes are so technical. Everyone's standing around and watching.' It is technical, but there is something about being naked with a member of the opposite sex that you still want them to think that you're hot. There's a reason why people are always having affairs with their leading men. With Gina it was really relaxing, because you could say things to her that you wouldn't say to other people. Like, 'Can you put your hand on my thigh here so my butt doesn't look so big? Can you hold my breast up so it looks more plump and juicy?' You would never, ever say those things to a man. Between takes, I would say, 'Gina, there's a shoe sale at Barneys. If we finish early, we should go over to Barneys and shop for shoes!' So it was surprisingly unsexy, but then when you saw it on screen, I was blown away. Violet and Corky have chemistry. They have it in buckets." She then added "We were a little bit worried because Dino De Laurentiis was a producer, and we were worried that after we finished shooting the scene, they would send it off to Italy and insert some breasts and buttocks shots. The Wachowskis said that was a concern of theirs, too, so they decided to shoot that love scene in one long, continuous shot. They said, 'That way he can't cut into it without it looking really obvious and intrusive. So the day we were supposed to shoot the love scene, it was a closed set. But there were monitors in the hallway, and everybody was clustered around the monitors watching. So the Wachowskis put the camera on a crane, and there were all these elements that they wanted to capture. They wanted to start out on a safe and get the side of my back, and they wanted to pan down to the toes, and they would be yelling through a megaphone, telling us what different parts were onscreen. They would yell, 'Toes!' and Gina would curl her toes like she was about to come. Then they would say, 'Hand!' and my hand was on her crotch, and I would kind of move my fingers a little bit. And then they would say, 'Face!' and it would be on Gina's face, and Gina would 'come.' So it was very, very technical, and we did eight takes."
- GaffesThe cleaning of the money -- washing, hanging up to dry, and ironing -- could not possibly be accomplished in one night. $2 million in 100-dollar bills is 20,000 individual bills. Even if each one was handled for only 10 seconds, it would take more than two days of constant work.
- Autres versionsThe Criterion 4K Ultra HD release changes the credits of the Wachowskis to remove any references to their deadnames.
- ConnexionsEdited into The Matrix Revisited (2001)
- Bandes originales(Chicago Is) My Kind of Town
Written by Jimmy Van Heusen and lyrics by Sammy Cahn
Sung by Jennifer Tilly and Gina Gershon
Commentaire en vedette
It is hard to accept the fact that I haven't ever heard of this great Neo-Noir, written and directed by the acclaimed Wachowski Brothers (Lana&Lilly) in the early stages of their career which reached its peak with ''The Matrix'' (1999). ''Bound'' is an absorbing crime/mystery with dashes of Hitchcockian suspense, having a solid plotline and great cast such as Joe Pantoliano and Jennifer Tilly who both deliver tremendous performances in their roles of a husband and wife, the former being a made mafioso and the latter a typical 'Damsel in Distress' who searches for a safe exit from the Mob's violent characters and proceedings, while becoming infatuated with her new neighbor (Gina Gershon's character). Tilly's character, acted with a mischievous- almost manipulative- sexiness and cynical determination, hatches a plan to rob her husband of mob money, with the guidance and support from her new lover. But, as always, reality doesn't follow the plan and things spiral out of control with a high body count and Caesar (J. Pantoliano's character) on the verge of a complete breakdown as he finds himself owing to his own mob family a sum of 2.000.000 dollars. The main theme of ''Bound'' is trust between humans and the risks that people are taking, based on the trust to a closely related person. The movie, apart from its references to classic Film-Noir, brought to my mind the early Joel&Ethan Coen pictures and plotwise it will somehow remind you of the superb ''Shallow Grave'' by Danny Boyle. This is a little-known gem that is certainly worth spending the approximately 100 minutes of your precious time and it will leave you wondering why it is so hard to find similar productions in the contemporary era.
- DimitrisPassas-TapTheLine
- 10 juill. 2018
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Détails
Box-office
- Budget
- 4 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 3 802 260 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 900 902 $ US
- 6 oct. 1996
- Brut – à l'échelle mondiale
- 3 802 260 $ US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of Liaisons interdites (1996) in Canada?
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