Violet est la maîtresse d'un 'blanchisseur' de la Maffia et Corky une ex-taularde qui retape l'appartement voisin. Dans l'ascenseur, par-dessus l'épaule du maffioso, la blonde peroxydée et l... Tout lireViolet est la maîtresse d'un 'blanchisseur' de la Maffia et Corky une ex-taularde qui retape l'appartement voisin. Dans l'ascenseur, par-dessus l'épaule du maffioso, la blonde peroxydée et la brune musclée se lancent un regard velours. Femmes si fragiles [255]Violet est la maîtresse d'un 'blanchisseur' de la Maffia et Corky une ex-taularde qui retape l'appartement voisin. Dans l'ascenseur, par-dessus l'épaule du maffioso, la blonde peroxydée et la brune musclée se lancent un regard velours. Femmes si fragiles [255]
- Prix
- 8 victoires et 13 nominations au total
John P. Ryan
- Mickey Malnato
- (as John Ryan)
Kevin Michael Richardson
- Cop #2
- (as Kevin M. Richardson)
Histoire
Le saviez-vous
- AnecdotesIn a 2014 interview for Vulture, Jennifer Tilly talked about the sex and nudity in this film, and how filming a sex scene and being naked with another woman was less stressful than with a man. "Actors are always saying, 'Oh, sex scenes are so technical. Everyone's standing around and watching.' It is technical, but there is something about being naked with a member of the opposite sex that you still want them to think that you're hot. There's a reason why people are always having affairs with their leading men. With Gina it was really relaxing, because you could say things to her that you wouldn't say to other people. Like, 'Can you put your hand on my thigh here so my butt doesn't look so big? Can you hold my breast up so it looks more plump and juicy?' You would never, ever say those things to a man. Between takes, I would say, 'Gina, there's a shoe sale at Barneys. If we finish early, we should go over to Barneys and shop for shoes!' So it was surprisingly unsexy, but then when you saw it on screen, I was blown away. Violet and Corky have chemistry. They have it in buckets." She then added "We were a little bit worried because Dino De Laurentiis was a producer, and we were worried that after we finished shooting the scene, they would send it off to Italy and insert some breasts and buttocks shots. The Wachowskis said that was a concern of theirs, too, so they decided to shoot that love scene in one long, continuous shot. They said, 'That way he can't cut into it without it looking really obvious and intrusive. So the day we were supposed to shoot the love scene, it was a closed set. But there were monitors in the hallway, and everybody was clustered around the monitors watching. So the Wachowskis put the camera on a crane, and there were all these elements that they wanted to capture. They wanted to start out on a safe and get the side of my back, and they wanted to pan down to the toes, and they would be yelling through a megaphone, telling us what different parts were onscreen. They would yell, 'Toes!' and Gina would curl her toes like she was about to come. Then they would say, 'Hand!' and my hand was on her crotch, and I would kind of move my fingers a little bit. And then they would say, 'Face!' and it would be on Gina's face, and Gina would 'come.' So it was very, very technical, and we did eight takes."
- GaffesThe cleaning of the money -- washing, hanging up to dry, and ironing -- could not possibly be accomplished in one night. $2 million in 100-dollar bills is 20,000 individual bills. Even if each one was handled for only 10 seconds, it would take more than two days of constant work.
- Autres versionsThe Criterion 4K Ultra HD release changes the credits of the Wachowskis to remove any references to their deadnames.
- ConnexionsEdited into The Matrix Revisited (2001)
- Bandes originales(Chicago Is) My Kind of Town
Written by Jimmy Van Heusen and lyrics by Sammy Cahn
Sung by Jennifer Tilly and Gina Gershon
Commentaire en vedette
I cannot think of a film that creates a more elaborate and intelligent sequence of events than Bound. This leads to that and that leads to something else and that leads to this and so on. What is special about this film, is that everything is connected. This is not Tarantino nonsense, that has no point and simply tries to rely on gimmicks and witty dialog. This is a clever thriller. The story centers around Corky, Violet and Caesar, who in one way or another, are involved in a plan to scam the mob. Of course, scamming the mob is never a good idea. Issues of trust, loyalty, love, violence and everything else are covered. There are very arousing sex scenes and scenes of disturbing violence, utilizing pruning shears. All of it choreographed beautifully by two very talented brothers. However,it is Joe Pantoliano who steals the show. He plays a wiseguy that gets caught in a downward spiral that can only finish one way, but he does his best to delay it. How he was omitted by the Academy is beyond me. To the pompous nitwits that peck away at this film, I have one question. What Hollywood films in the last ten years can you reel off that were nearly as clever as this film? Yeah, I thought so. **** out of ****, a simply brilliant motion picture.
- Tiger_Mark
- 2 mars 2004
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Détails
Box-office
- Budget
- 4 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 3 802 260 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 900 902 $ US
- 6 oct. 1996
- Brut – à l'échelle mondiale
- 3 802 260 $ US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of Liaisons interdites (1996) in Canada?
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