Oilman Jan se retrouve paralysé après un accident. Sa femme, qui priait pour qu'il rentre, se sent coupable. Encore plus, lorsque Jan lui demande d'avoir des relations sexuelles avec d'autre... Tout lireOilman Jan se retrouve paralysé après un accident. Sa femme, qui priait pour qu'il rentre, se sent coupable. Encore plus, lorsque Jan lui demande d'avoir des relations sexuelles avec d'autres hommes.Oilman Jan se retrouve paralysé après un accident. Sa femme, qui priait pour qu'il rentre, se sent coupable. Encore plus, lorsque Jan lui demande d'avoir des relations sexuelles avec d'autres hommes.
- Nommé pour 1 oscar
- 44 victoires et 28 nominations au total
Finlay Welsh
- Coroner
- (as Finley Welsh)
Histoire
Le saviez-vous
- AnecdotesTheatrical film debut of Emily Watson. She received an Oscar nomination and was expelled from the School of Economic Science (the alleged cult she was brought up in) for her role in this film.
- GaffesThe film is set in the early 1970s, but the van featured prominently in the car park and heliport scenes is a mid-1980s Freight Rover 200, formerly known as the Leyland Sherpa.
- Citations
Dodo McNeill: Not one of you has the right to consign Bess to hell!
- Autres versionsThe director's cut of the film, featuring explicit shots removed from the U.S. version for ratings purposes, is available on Criterion laserdisc.
Commentaire en vedette
Emotional power is one of the most difficult and complex aspects of film-making to succeed in. Very few films can manage to be emotionally destructive, while still retaining the viewer's concentration and dedication to the piece. Yet, Breaking the Waves is a film that holds more emotionally power that most films, it is not a film you will want to see again. One viewing is enough (at least for a long period of time). Bearing in mind, you will feel devastated by the film's self-destructive nature and after viewing such an unforgettable story of heart ache and sadness you will have etched into the back of your mind.
Breaking the Waves is a complicated story; it is one that studies love, regret, guilt, madness and religion. Breaking the Waves is set in a small religious town deep in Scotland and tells the sorrowful story of the innocent Bess (Emily Watson) and her lover Jan (Stellan Skarsgaard). Jan becomes paralysed in a freak accident at the oil-rig he is working on and asks his estranged wife Bess to have sex with other men and then tell him what it was like to keep their relationship stable.
Lars Von Trier, the founder of Dogme film-making creates a drama that remains in a league of its own. Though Breaking the Waves is not Dogme film-making (like The Idiots) it still has elements of Dogme film-making style littered around it. The film is separated into chapters, which work as wonderful mood and symbolic transitions. These sequences are a single shot focusing on something that is considerably impressive, with the added touch of a brilliantly chosen song to fit the mood. The film's general direction is one that feels like it has been shot with a hand-held style.
The film studies many questionable elements of life, including topics such as death, terminal illness, spirituality, emotions and hypocrisy in religion. These are just a view of the talking points that crop up throughout the long running-time. The film asks the viewer questions and most importantly tests how much harrowing devastation you can handle. There is no denying just how pure Breaking the Waves is.
Emma Watson gives a career defining performance with her pitiful role of a naive young woman, who just wants to be free from pain. The performance is very painful to watch because it is so unbearably realistic. You become apart of her journey and watch her emotions and sanity spiral out of control, even from the people who love her. Heartbreaking in every way.
Breaking the Waves is a difficult film and one that is not for everyone, though I say it is a film which deserves the critical acclaim it gets.
Breaking the Waves is a complicated story; it is one that studies love, regret, guilt, madness and religion. Breaking the Waves is set in a small religious town deep in Scotland and tells the sorrowful story of the innocent Bess (Emily Watson) and her lover Jan (Stellan Skarsgaard). Jan becomes paralysed in a freak accident at the oil-rig he is working on and asks his estranged wife Bess to have sex with other men and then tell him what it was like to keep their relationship stable.
Lars Von Trier, the founder of Dogme film-making creates a drama that remains in a league of its own. Though Breaking the Waves is not Dogme film-making (like The Idiots) it still has elements of Dogme film-making style littered around it. The film is separated into chapters, which work as wonderful mood and symbolic transitions. These sequences are a single shot focusing on something that is considerably impressive, with the added touch of a brilliantly chosen song to fit the mood. The film's general direction is one that feels like it has been shot with a hand-held style.
The film studies many questionable elements of life, including topics such as death, terminal illness, spirituality, emotions and hypocrisy in religion. These are just a view of the talking points that crop up throughout the long running-time. The film asks the viewer questions and most importantly tests how much harrowing devastation you can handle. There is no denying just how pure Breaking the Waves is.
Emma Watson gives a career defining performance with her pitiful role of a naive young woman, who just wants to be free from pain. The performance is very painful to watch because it is so unbearably realistic. You become apart of her journey and watch her emotions and sanity spiral out of control, even from the people who love her. Heartbreaking in every way.
Breaking the Waves is a difficult film and one that is not for everyone, though I say it is a film which deserves the critical acclaim it gets.
- Det_McNulty
- 29 janv. 2007
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Breaking the Waves
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 42 000 000 DKK (estimation)
- Brut – États-Unis et Canada
- 3 803 298 $ US
- Brut – à l'échelle mondiale
- 3 831 182 $ US
- Durée2 heures 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What was the official certification given to L'amour est un pouvoir sacré (1996) in Japan?
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