ÉVALUATION IMDb
7,6/10
57 k
MA NOTE
Le pianiste David Helfgott, poussé à bout par son père et ses professeurs, fait une dépression nerveuse. Des années plus tard, il revient au piano, salué par le public, pour ne pas dire par ... Tout lireLe pianiste David Helfgott, poussé à bout par son père et ses professeurs, fait une dépression nerveuse. Des années plus tard, il revient au piano, salué par le public, pour ne pas dire par la critique.Le pianiste David Helfgott, poussé à bout par son père et ses professeurs, fait une dépression nerveuse. Des années plus tard, il revient au piano, salué par le public, pour ne pas dire par la critique.
- A remporté 1 oscar
- 46 victoires et 52 nominations au total
Histoire
Le saviez-vous
- AnecdotesGeoffrey Rush had once learned the piano up until aged fourteen. He took up piano lessons again thirty years later for this movie and also acted as his own hand double and body double.
- GaffesThe character shows all signs of schizophrenia; not bipolar disorder (formerly known as "manic-depressive disorder"), as is claimed in the film. The real David Helfgott likewise displays many symptoms of schizophrenia and none of bipolar disorder.
- Citations
Cecil Parkes: You must play as if there's no tomorrow.
- Générique farfeluHimself: hand double for Geoffrey Rush
- Bandes originalesWith A Girl Like You
Written by Reg Presley
© 1966 Dick James Music Limited
Performed by The Troggs
© 1966 Mercury Ltd. London
Commentaire en vedette
David is a stuttering, rambling man having suffer a complete breakdown as a young man. However when he was a child his skills on the piano were unmatched. Driven by his father, opportunities open up in front of him to go abroad to learn, but his father denies him the chance. He leaves for London where he drives himself to the point of exhaustion before coming back home to find his father has disowned him.
It took me years to finally watch this film. I was still in Northern Ireland when it came out in the cinema and such films were not permitted to cross our borders, lest they keep the latest action movies from our 1 or 2 screen cinemas! So away from the hype and the Oscar hoopla I sat to watch this film and found myself easily taken in by it. The story is the true story of David Helfgott who was a boy genius before his breakdown. The film starts with him as an adult then jumps back to see him as a child. This approach works well to allow us to see the `end result' as it were, before we see what would be considered the causation factors. These factors are a little heart breaking to watch but they are very well delivered. As an adult, David is comic, warming and tragic. The pain in his life is brought out very well.
A great deal of the praise for this must lie with the wonderful cast. Rush got his Oscar of course and I'll leave it to the users on the message boards to argue over whether or not you can be the lead actor with screen time of less than half the film! He is great, walking a difficult line with a `disabled' character but managing not to just make it a caricature at any point. David as a child is very well played by Rafalowicz and does more of the development work than Rush and hence gets less credit than he deserves for making us care for the adult David. Mueller-Stahl is as good as he can be and gives a great performance, the only downside being that he doesn't age a single day between the adult and child sections of the story - surely some makeup could have been used?
Overall this is a very enjoyable human story that is driven by several really strong performances in key roles. The story keeps it's tone light but yet still manages to be dramatic and, in some scenes far too touching to avoid being slightly moved. The music is beautiful when it is called on to be and dramatic at other times - the director does very well to make the intense music translate into intense scenes in the film. Overall a simple story of a man but one that is interesting and a lot more moving that I expected it to be.
It took me years to finally watch this film. I was still in Northern Ireland when it came out in the cinema and such films were not permitted to cross our borders, lest they keep the latest action movies from our 1 or 2 screen cinemas! So away from the hype and the Oscar hoopla I sat to watch this film and found myself easily taken in by it. The story is the true story of David Helfgott who was a boy genius before his breakdown. The film starts with him as an adult then jumps back to see him as a child. This approach works well to allow us to see the `end result' as it were, before we see what would be considered the causation factors. These factors are a little heart breaking to watch but they are very well delivered. As an adult, David is comic, warming and tragic. The pain in his life is brought out very well.
A great deal of the praise for this must lie with the wonderful cast. Rush got his Oscar of course and I'll leave it to the users on the message boards to argue over whether or not you can be the lead actor with screen time of less than half the film! He is great, walking a difficult line with a `disabled' character but managing not to just make it a caricature at any point. David as a child is very well played by Rafalowicz and does more of the development work than Rush and hence gets less credit than he deserves for making us care for the adult David. Mueller-Stahl is as good as he can be and gives a great performance, the only downside being that he doesn't age a single day between the adult and child sections of the story - surely some makeup could have been used?
Overall this is a very enjoyable human story that is driven by several really strong performances in key roles. The story keeps it's tone light but yet still manages to be dramatic and, in some scenes far too touching to avoid being slightly moved. The music is beautiful when it is called on to be and dramatic at other times - the director does very well to make the intense music translate into intense scenes in the film. Overall a simple story of a man but one that is interesting and a lot more moving that I expected it to be.
- bob the moo
- 27 janv. 2004
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Shine
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 35 892 330 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 162 179 $ US
- 24 nov. 1996
- Brut – à l'échelle mondiale
- 35 999 121 $ US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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