Ajouter une intrigue dans votre langueBrazillian urban guerrilla fighters kidnap the American Ambassador. Now, the diplomat's life hangs in the balance - helplessly caught between a government unwilling to cooperate - and his fe... Tout lireBrazillian urban guerrilla fighters kidnap the American Ambassador. Now, the diplomat's life hangs in the balance - helplessly caught between a government unwilling to cooperate - and his fear of the captors themselves.Brazillian urban guerrilla fighters kidnap the American Ambassador. Now, the diplomat's life hangs in the balance - helplessly caught between a government unwilling to cooperate - and his fear of the captors themselves.
- Nommé pour 1 oscar
- 6 victoires et 9 nominations au total
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- AnecdotesFernando Gabeira, now a former politician and a very famous newsman, took part in the action, was arrested and exiled. He wrote the book in which the movie is based on and he was the character of Pedro Cardoso. At the time the movie was nominated to the Oscar, he was a Federal Congressman and, in spite of everything, he was not allowed to go to USA to take part in the party because 30 years before he had taken part in the kidnapping of an American Ambassador.
- GaffesThe real match in which the kidnappers release the Ambassador on its crowd was between the clubs ''America'' vs ''Fluminense'', not ''Flamengo'' vs ''Vasco'' as the film shows.
- Citations
[about Maria, the leader of MR-8]
Fernando Gabeira: She either wants to fuck me or fuck me over.
- ConnexionsFeatured in 1964: O Brasil Entre Armas e Livros (2019)
I'm not a particularly well-read person and there is a lot of history (even recent history) that I am simply not aware of and this includes the events and times presented in this film. For that reason I cannot really comment on the accuracy or level of detail containing in this telling but what little I have since gleamed from other sources tell me that it is pretty fair and close enough to being accurate. The plot is well told and is made interesting by the attention paid to the people involved in the situation; the drama and tension comes from them rather than false action sequences or stand-offs. The thanks for this should lie with the cast but also with the script that creates the characters and makes them 'real', meaning we find it easier to understand them and feel for the positions they are in. The historical context is well done and I did find it very easy to get engaged in.
The characters are where it is at and they are all very 'human'. We are never made to totally root for them because of what they are doing, but we are helped to understand why they are doing this and how hard it is for some of them to actually turn their words into action. Cardoso does this best and he is the real heart of the film and easily the most sympathetic character. He has good chemistry with Arkin, who does well acting in a foreign film. Torres does well to gradually soften her character as the film goes and it makes her more interesting than she was early on. Support is all pretty good with no really weak performances anywhere but the film mostly belongs to these lead three. The direction is good, capturing the feel of the period early on (where stock footage blends seamlessly into the main film) and producing tension without overdoing the style over substance.
Overall this is a pretty good film, telling a straight story using the characters to drive it forward and involve the audience. The film has tension but it comes from the people involved and the situations they face in the attempts to do the 'right thing'. The script delivers the characters to the actors and the actors are convincing in their delivery, producing an engaging and interesting film that helps deliver historical relevance in a miniature story.
- bob the moo
- 9 oct. 2004
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Four Days in September
- Lieux de tournage
- Los Angeles, Californie, États-Unis(second unit)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 397 517 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 32 017 $ US
- 1 févr. 1998
- Brut – à l'échelle mondiale
- 397 517 $ US