La vie et la mort du légendaire Beethoven, outre le travail pour lequel il est connu.La vie et la mort du légendaire Beethoven, outre le travail pour lequel il est connu.La vie et la mort du légendaire Beethoven, outre le travail pour lequel il est connu.
- Prix
- 1 nomination au total
Histoire
Le saviez-vous
- AnecdotesGary Oldman actually played all of the Beethoven pieces he performed in the film. A different musician performed in the official soundtrack. When Oldman learned he would be playing the lead role, he spent six weeks practicing on a Steinway piano for six hours a day in his hotel, and completely immersed himself in the music as his research for the character. In an interview with the South Bank show in 1997, Oldman quoted an article that said "he mimes very well" in the film. He then laughed and said "I'm playing it! I can play that!"
- GaffesAt his first public recital, Ludwig was eight years-old (some sources report seven) and his father announced him as six, yet the movie conveys, via voiceover, that Ludwig was "12 and his father told the court he was nine".
- Citations
Ludwig van Beethoven: [in reference to "Violin Sonata in A Major, Op. 47" - "Kreutzer"...] Do you like it?
Anton Felix Schindler: Shh!
Ludwig van Beethoven: I cannot hear them, but I know they are making a hash of it. What do you think? Music is... a dreadful thing. What is it? I don't understand it. What does it mean?
Anton Felix Schindler: It - it exalts the soul.
Ludwig van Beethoven: Utter nonsense. If you hear a marching band, is your soul exalted? No, you march. If you hear a waltz, you dance. If you hear a mass, you take communion. It is the power of music to carry one directly into the mental state of the composer. The listener has no choice. It is like hypnotism. So, now... What was in my mind when I wrote this? Hmm? A man is trying to reach his lover. His carriage has broken down in the rain. The wheels stuck in the mud. She will only wait so long. This... is the sound of his agitation. "This is how it is... ," the music is saying. "Not how you are used to being. Not how you are used to thinking. But like this."
- Bandes originalesMissa Solemnis in D Major, Op. 123
Written by Ludwig van Beethoven
Performed by London Symphony Orchestra
Conducted by Georg Solti (as Sir Georg Solti)
Performed by Renée Fleming soprano - Ann Murray alto - Vinson Cole tenor - Bryn Terfel bass with London Voices
Chorus master: Terry Edwards
Gary Oldman portrays Beethoven with all the warts, near-madness, rage and passion intact. Unlovable almost, except for the sympathy and compassion engendered by his deafness which humanizes him.
The music is wonderful here and tries to explain the emotions behind the man.
The McGuffin of the plot hinges on a letter that was never received by his "immortal beloved". I may have missed something along the way, but how did the narrator of the story get the letter ? That point aside, this is a well done story and captures the era perfectly. I
believe Prague was used for the setting and it is beautiful. This movie could be a matched set to "Beethoven Lives Upstairs" another film which captures his turbulence and frustration and the triumph of his composition of his 9th.
An 8 out of 10 for a very enjoyable movie.
- wisewebwoman
- 20 mai 2001
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Immortal Beloved
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 9 914 409 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 120 108 $ US
- 18 déc. 1994
- Brut – à l'échelle mondiale
- 9 914 409 $ US
- Durée2 heures 1 minute
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
- 2.35 : 1