It is not only difficult to comment separately on the three parts of Kieslowski's trilogy, it seems obvious that the filmmaker wants us to do just the opposite: view them in order, Blue, White, and Red, and consider them together as one complete work. It is true they are distinct stories with distinct themes: liberty, equality, fraternity, and each them is developed with unique applications of intrigue and artistry. They are each well worth seeing independently, but I believe they are best seen as one work. Collectively, I would rate the trilogy as a 9; separately, I place each in my top ten for the years 1993 and 1994.
White is the fabric of a bride, chaste and pure at the outset of her marriage; later it is the flash of an orgasm in the dark; and then .... But any more said of the instances of white in this film might spoil it for the first-time viewer. Unlike Three Colors: Blue, White is a more plot-oriented movie, with two main characters to Blue's one. And this is as it should be. Blue's theme of Liberty, the first word of France's motto, is an individual's principle, while White's theme of Equality, the French motto's second word, requires at least two people. The central quest for liberty is personal; the struggle for equality is fundamentally social. White is the most conventional of the three Color films, and while it is still one of my ten top films of 1994, I rate it an 8, slightly less than the highly visual Blue and the mind-bending Red.
